Glenn M. Loney Bookshop

THESES:

1) Edith Sitwel: A Study (Unpublished M. A. Thesis, Univ. of Wisconsin, 1951).

2) Dramatizations of American Novels: 1900 – 1917 (Microfilmed Ph. D. Dissertation, Stanford University, 1953). Copy in Library of Congress.

FICTION:

1) “Letters From a Soldier,” Adelphi Quarterly (Summer 1961), Vol. 4, No. 4, pp. 48-54.

PLAYS:

1) Keep the Homefires Burning (Unpublished; copyrighted).

2) Open Season (Unpublished; copyrighted).

3) Endowed by Their Creator (Unpublished; copyrighted).

4) Mrs. Plato (Unpublished; copyrighted).

5) Beware of Greeks (Unpublished; copyrighted).

6) The House of Mirth (Edited by Loney; by Edith Wharton and Clyde Fitch).

BOOKS:

1) Briefing and Conference Techniques, McGraw-Hill Series in Speech (New York: McGraw-Hill Book Co., Inc., 1959), 194 pp.

(Published in two editions – Trade and College Text. Monthly book selection of Executive Book Club and of McGraw-Hill Management Book Club.)

2) Your Future in the Performing Arts, with Lawrence Epstein (New York: Richards Rosen Press, 1980), 146 pp.

3) “The House of Mirth”: The Play of the Novel (East Brunswick, NJ: Associated University Presses, 1981), 182 pp.

4) Twentieth Century Theatre: a Chronology of British and American Theatre (New York: Facts on File, 1983), 2 Vols., 521 pp.

5) California Gold-Rush Plays (New York: Performing Arts Journal, 1983), 180 pp.

6) Unsung Genius: The Passion of Dancer-Choreographer Jack Cole (New York: Franklin Watts/ Grolier, 1984), 376 pp.

7) Creating Careers in Music Theatre (New York: Peter Lang, 1988), 294pp.

EDITING OF AND CONTRIBUTIONS TO BOOKS:

1) John Gassner, Dramatic Soundings (New York: Crown Pubs., 1968). 716 pp. Edited, with an Introduction (pp. xiv-xx) by Glenn Loney.

2) George Freedley and John A. Reeves, A History of the Theatre (New York: Crown Pubs., 1968). Third Newly Revised Edition. Chapter XXX: “The United States – American Theatre (1954 – 1967), by Glenn Loney. pp. 885-904.

3) John Gassner and Edward Quinn, eds., The Reader’s Encyclopedia of World Drama (New York: Thomas Y. Crowell Co., 1969). Essays on Operetta, Musical Comedy, Wagner, DaPonte, and Gilbert and Sullivan, by Glenn Loney.

4) Robert Corrigan, ed., and Glenn Loney, headnotes. Comedy: a Critical Anthology (Boston: Houghton Mifflin, 1971). 787 pp.

5) Robert Corrigan, ed., and Glenn Loney, headnotes. Tragedy : a Critical Anthology (Boston: Houghton Mifflin, 1971). 787 pp.

6) Robert Corrigan, ed., and Glenn Loney, headnotes. The Forms of Drama (Boston: Houghton Mifflin, 1972). 746 pp.

7) C. Ray Smith, ed. The Theatre Crafts Book of Costume (Emmaus, Penn.: Rodale Press, Inc., 1973). (Interviews with Marjorie Slaiman, Peter Harvey, and Florence Klotz.)

8) C. Ray Smith, ed. The Theatre Crafts Book of Make-Up, Masks, and Wigs (Emmaus, Penn.: Rodale Press, Inc., 1974). (Chapters on TV Make-Up and Make-Up for Scratch.)

9) Glenn Loney, Interviewer-Editor. Peter Brook’s Production of William Shakespeare’s A Midsummer Night’s Dream: Authorized Acting Edition. (Chicago, Ill.: Dramatic Publishing Co., 1974).

10) Glenn Loney, Interviewer-Editor, The Frank Dunlop/Young Vic Production of Seapino: Authorized Acting Edition. (Westport, Conn.: Dramatic Publishing Co., 1975).

11) Glenn Loney and Patricia MacKay, The Shakespeare Complex (New York: Drama Book Specialists, 1975).

12) Glenn Loney, Author-Editor, Lesson Plans and Class Questions for Use With Recorded Interviews With:

Playwright Collection 1: Edward Albee, Robert Anderson, Brian Friel, William Gibson, Lillian Hellman.

Playwright Collection 2: Jean Kerr, Arthur Miller, John Osborne, Neil Simon, Douglas Turner Ward.

Actor Collection 1: Anne Bancroft, Morris Carnovsky, Katharine Cornell, Jose Ferrer, John Gielgud.

Actor Collection 2: Helen Hayes, Bert Lahr, The Lunts, Sidney Poitier, Maureen Stapleton, Shelley Winters.

Actor Collection 3: Alan Arkin, Barbara Bel Geddes, Hume Cronyn, Colleen Dewhurst, Faye Dunaway, Lou Gossett.

Actor Collection 4: Dustin Hoffman, Stacey Keach, Estelle Parsons, George C. Scott, Jessica Tandy, Cicely Tyson.

(Chicago, Ill: Dramatic Publishing Co., 1975).

13) Glenn Loney, Contributing Critic, Contemporary American Theatre Critics (Metuchen, NJ: Scarecrow Press, 1977), pp. 480-501.

14) Glenn Loney, Contributing Editor, The Academic American Encyclopedia (Princeton, NJ: Arete Publishing Co., 1980).

15) Glenn Loney, Advisor/Contributor, McGraw-Hill Encyclopedia of World Drama (New York: McGraw-Hill, 1984), Vol. 1, “American Drama Since 1940,” pp. 91-119.

16) Glenn Loney, Editor & Introduction, Musical Theatre in America (Westport, CT: Greenwood Press, 1984), 448 pp.

17) Glenn Loney, Contributor, Biographical Dictionary of Dance (New York: Schirmer Publ., 1982), pp. 193-194 (“Jack Cole.”)

18) Glenn Loney, Contributor, Forty Years of Mise-en-Scene: 1945-1985, (Dundee, Scotland: Lochee Publ., 1986), ed. Prof. Claude Schumacher, pp. 83-94: “Adventures with Elizabethan Stages: Various Directors Work with One Designer: Richard Hay, Ashland.”

19) Glenn Loney, Contributor, Pipers Enzyklopedia des Musik Theaters (Munich: Piper Verlag GmbH, 1987), pp. 354-57 (Girl Crazy).

20) Glenn Loney, Contributor, Pipers Enzyklopedia des Musik Theaters (Munich: Piper Verlag GmbH, 1989), pp. 286-289 (“Jerome Kern: Leave It To Jane, Showbeat.”)

21) Glenn Loney, Contributor, Thank You, Gorbachev! (Wall-to-Wall Press, New York, 1990), p.36.

22) Glenn Loney, Editor/Contributor, Staging Shakespeare: Seminars on Production Problems (New York: Garland Publishing, 1990), 278 pp.

JORNAL AND MAGAZINE ARTICLES:

1) “The Heyday of the Dramatized Novel,” Educational Theatre Journal (Oct 1957), pp. 194-200.

2) “Where Classics Come to Life,” Theatre Arts Magazine (Jun 1959), pp. 66-68.

3) “Some European Theatre Publications,” Educational Theatre Journal (Mar 1960), pp. 18-19.

4) “A Grand Tour of Theatres Eternal,” Theatre Arts Magazine (Apr 1961), pp. 62-67, 74-75.

5) “A Russian Sampler: ‘People’s Plays’ in the USSR.,” The Commonweal (Apr 14, 1961), pp. 76-78.

6) “The Novelist Writes for the Theatre: Edith Wharton and The House of Mirth,” Modern Drama (Sep 1961), pp. 152-163.

7) “The German Theatre Menu,” Rmaparts (Sep 1962), pp. 38-44.

8) “The Theatre of the Absurd: It is Only a Fad,” Theatre Arts Magazine (Nov 1962), pp. 20, 22, 24, 66-68.

9) “Classic Drama Revivals in Greece,” Quarterly Journal of Speech (Dec 1962), pp. 379-387.

10) “A Letter From London,” Players Magazine (May 1963), p.254.

11) “Wagner worship in Bavaria,” The Reporter (Jul 4, 1963), pp. 32-36.

12) “Festival Fever,” Ramparts (Winter, 1964), Vol. 2, No. 4, pp. 65-72.

13) “Theatre and College: Adventure in Liberalization,” Teachers College Record (Columbia University, May 1964), pp. 693-701.

14) “The Children’s Hour in Stockholm,” Players Magazine (May 1964), pp. 241-2, 249.

15) “Radio Sweden: Education and Entertainment,” National Association of Educational Broadcasters Journal (Jul-Aug 1964), pp. 18-23.

16) “State-Supported Theatre in Sweden,” Educational Theatre Journal (Oct 1964), pp. 276-9.

17) “Swedish School Broadcasts,” National Association of Educational Broadcasts Journal (Nov-Dec 1964), pp. 3-9.

18) “Broadway in Review,” Educational Theatre Journal (Mar 1965), pp. 56-59.

19) “Broadway in Review,” Educational Theatre Journal (May 1965), pp. 131-44.

20) “No Word From the Sponsor,” The American-German Review (Jun-Jul 1965), pp. 2-6.

21) “Broadway in Review,” Educational Theatre Journal (Oct 1965), pp.265-70.

22) “After Many a Summer – Still More Festivals,” Educational Theatre Journal (Oct 1965), pp. 240-50.

23) “From the Flames A Delayed Phoenix: Munich’s Rebuilt National Theatre,” Theatre Design and Technology (Oct 1965), pp. 3-8.

24) “Cult and Myth on the Green Hill,” High Fidelity/Musical America (Oct 1965), pp.160-1.

25) “London’s Subsidised Theatres,” Quarterly Journal of Speech (Feb 1966), pp. 63-9.

26) “Bayreuth Brigadoon,” The American-German Review (Feb-Mar 1966), pp. 36-7.

27) “Broadway in Review: Broadway and Off-Broadway Supplement,” Educational Theatre Journal (Mar 1966), pp. 66-72.

28) “Broadway in Review: Broadway and Off-Broadway Supplement,” Educational Theatre Journal (May 1966), pp. 174-77.

29) “Bergman in the Theatre,” Modern Drama (Sep 1966), pp. 170-77.

30) “For Children of All Ages,” Stockholm Marionette Theatre Program (Fall 1966), pp.1-5.

31) “Broadway in Review: Broadway and Off-Broadway Supplement,” Educational Theatre Journal (Oct 1966), pp. 280-86.

32) “Hundert Jahre Tristan: Review,” Quarterly Journal of Speech (Oct 1966), p. 321.

33) “In Cold Blood: Review,” and “Much Ado About Nothing: Review,” High Fidelity / Musical America (Oct 1966), pp. 162-164.

34) “Two Hundred Candles – Simulated – for the Drottningholm,” Theatre Design and Technology (Dec 1966), pp.3-11.

35) “Broadway in Review: Broadway and Off-Broadway Supplement – The Set’s the Thing,” Educational Theatre Journal (Dec 1966), pp. 454-59.

36) “Performing Arts – The Economic Dilemma: Review,” Quarterly Journal of Speech (Feb 1967), pp. 89-90.

37) “Staging ‘Dangerous’ Drama,” The American-German Review (Feb-Mar 1967), p. 21.

38) “Theatre Abroad,” Educational Theatre Journal (Mar 1967), pp. 87-95.

39) “The Film That Wend Underground,” The American-German Review (Apr-May 1967), pp.31-32.

40) “Broadway and Off-Broadway Supplement,” Educational Theatre Journal (May 1967), pp.198-204.

41) “The Experts Speak on Theatre Administration: Review,” Theatre Design and Technology (May 1967), p. 35.

42) “Patrons and Patriotism: Review,” Quarterly Journal of Speech (Oct 1967), pp. 306-7.

43) “Broadway in Review,” Educational Theatre Journal (Oct 1967), pp. 392-401.

44) “The Scene / California: Hippie Home in Walden Pond West,” Life (Nov 24, 1967), pp. 4 & 6.

Also Published: Life International (Dec 11, 1967), p. AM2

45) “Broadway in Review,” Educational Theatre Journal (Dec. 1967), pp. 511-17.

46) “Ex-Con’s Play, ‘Cage,’ Grimly Authentic,” Variety (Anniversary Issue / Jan 3, 1968), pp. 3 & 49.

47) “Another View of LBJ,” Life International (Feb 19, 1968), p. 36.

48) “Who Goes to An American Opera?” Educational Theatre Journal (Mar 1968), pp. 73-79.

49) “Broadway in Review,” Educational Theatre Journal (Mar 1968), pp. 97-102.

50) “Creating The Great White Hope: The Director – Edwin Sherin, Executive Director – Thomas C. Fichandler, Set Designer – Douglas Schmidt, Costume Designer – Marjorie Slaiman, Property Mistress – Christi Oswald, and Publicity Director – Susanne Roschwalb,” Theatre Today (Spring 1968 – First Issue), pp. 4-9, 13.

51) “Broadway in Review,” Educational Theatre Journal (May 1968), pp. 229-236.

52) “Acting Up or Showing Off,” Players (August – September 1968), pp. 196-201.

53) “The Theatre: Notes From London,” Cue (August 31, 1968), p. 9.

54) “Broadway in Review,” Educational Theatre Journal (October, 1968), pp. 468-72.

55) “The Scene / Tripoli: Libya’s Great Leap Forward,” Life (October 25, 1968), pp. RR.

56) “Robert Macbeth and the New Lafayette Theatre,” Theatre Today (Fall, 1968), pp. 3-6, 13.

57) “Robert Hooks and the Negro Ensemble Company,” Theatre Today (Fall, 1968), pp. 7-10.

58) “The Baroque Theatre / Theatre des Barok: Review,” Quarterly Journal of Speech (Oct 1968), pp. 299-300.

59) “Alexander’s Brainchild,” Theatre Crafts (November / December 1968), pp. 39-41.

60) “Byways of Europe – 4: Bohemia,” Opera News (December 7, 1968), pp. 6-7.

61) “Broadway in Review,” Educational Theatre Journal (December 1968), pp. 594-99.

62) “Günther Rennert, Opera Doctor,” Music Journal (January 1969), pp. 28-31.

63) “Julius Rudel van de New York City Opera,” Opera Netherlands Opera Foundation (Season 1968 / 69, No. 3), pp. 11-13.

64) “On Interviewing Ingmar Bergman,” After Dark (Feb 1969), pp. 32-37.

65) “Shakespeare on Wheels,” Theatre Today (Winter 1969), pp. 10-13.

66) “Richard Wagner: The Man, His Mind, and His Music: Review,” Quarterly Journal of Speech (February 1969), pp. 102 -03.

67) “Rudolf Bing Spreekt,” Opera Netherlands Opera Foundation (Season 1968 / 69, No. 4), pp. 20-22.

68) “Bringing the Past Back to Life: The Four Winds Theatre,” After Dark (Mar 1969), pp. 42-47.

69) “Theatre in Review,” Educational Theatre Journal (March 1969), pp. 103-107.

70) “Sangre y Arena in Washington,” Players (April – May 1969), pp. 163-66.

71) “Two California Poster Designers,” American Artist (May 1969), pp. 48-53, 82-84.

72) “Europe Isn’t Houston – But It Isn’t Bad,” After Dark (May 1969), pp. 34-39.

73) “Review: Yale Drama School, New Haven Connecticut, The Bacchae,” After Dark (May 1969), pp. 58-59.

74) “Theatre in Review,” Educational Theatre Journal (May 1969), pp. 220-21.

75) “Getting into the A.C.T.,” After Dark (June 1969), pp. 32-39.

76) “McCarther Theatre,” Players (June – July 1969), pp. 198-202.

77) “Review: Glory! Hallelujah! ACT, San Francisco,” After Dark (July 1969), p. 57.

78) “And Wagner Said! Let There Be Light – But Not Too Much,” Theatre Crafts (Sep 1969), pp. 28-33, 42-43.

79) “Busby Berkeley On a Budget,” Theatre Crafts (Oct 1969), pp. 6-11, 34-36.

80) “Theatre in Review,” Educational Theatre Journal (Oct 1969), pp. 353-54.

81) “Everding,” Opera News (Oct 11, 1969), p. 16.

82) “Opera Reviews: Edinburgh,” Opera News (Nov 1, 1969), p. 26.

83) “America Can’t See This Opera,” After Dark (Nov 1969), pp. 55-57.

84) “Review from London: A Tale of Two Seconds,” After Dark (Nov 1969), p. 13.

85) “Dual Control: Jean-Pierre Ponnelle,” Opera News (Dec 27, 1969), p. 25.

86) “Tito Capobianco Over Opera-Regie,” Opera [Netherlands] (Season 1969-70: Nr. 3), pp. 15-16.

87) “Kleines und Grosses: Germany’s Joy?” Theatre Today (Fall 1969), pp. 10-14.

88) “Royal Castles and Harold Prince,” After Dark (Jan 1970), pp. 38-43.

89) “Libya: Love Among the Ruins,” After Dark (Jan 1970), pp. 56-59.

90) “Reviews: Waiting for Grotowski,” After Dark (Jan 1970), pp. 60-61.

91) “My Fair Coco? Chanel by Cecil Beaton,” After Dark (Feb 1970), pp. 28-31.

92) “I Am Curious (Susan Sontag),” After Dark (Feb 1970), pp. 46-53.

93) “Reviews: Tried and True,” After Dark (Feb 1970), pp. 59-61.

94) “Dionysus-Michigan,” Players (Feb 1970), pp. 129-132.

95) “Theatre in Review,” Educational Theatre Journal (Mar 1970), p. 90, pp. 92-94.

96) “Reviews: Theatre: Black Is the Color,” After Dark (Mar 1970), pp. 62-64.

97) “Blow, Winter Wind,” Interview (Apr 1970), Vol. 1, No. 6, pp. 8-9.

98) “Sons and Mothers: Niklas Ek and Birgit Cullberg,” Dance (Apr 1970), pp. 32-37.

99) “On With the Dance at NYU: Jean Erdman Seeks Roots of Style,” Dance (Apr 1970), pp. 44-49.

100) “On Stage in the Nation’s Capital: Washington Theatre Club, Ford’s Theatre, the John F. Kennedy Center,” After Dark (Apr 1970), pp. 30-39.

101) “The Virgin from Where?” After Dark (Apr 1970), pp. 46-51.

102) “Theatre Reviews: The Y-Factor,” After Dark (Apr 1970), pp. 66-69.

103) “The Urge to Dance,” Dance (May 1970), pp. 48-57.

104) “Pay the Piper,” Dance (May 1970), p. 4.

105) “Airbrush in the Bowery: Jack Brusca Plays the Numbers,” After Dark (May 1970), pp. 50-53.

106) “Reviews: Theatre: Give the Little Lady a Great Big Hand,” After Dark (May 1970), pp. 65-67.

107) “Interview with Wolfgang Wagner: A Ring for All Seasons,” Music Journal (May 1970), pp. 52-54.

108) “I Dreamed I Saw Joe Hill: An Inter-VIEW with Bo Widerberg,” Interview (May 1970), p. 3.

109) “Making It in Films / John Schlesinger,” Interview (May 1970), pp. 11-13.

110) “Film-Making is Sweden: New Directors and Films,” Interview (May 1970), Vol. 1, No. 7, pp. 24-27.

111) “Long Warf Theatre,” Players (Jun-Jul 1970), pp. 228-234.

112) “German Playwrights Band Together,” Dramatists Guild Quarterly (Summer 1970), pp. 26, 35-36.

113) “Oh! Calcutta! Revisited,” After Dark (Jun 1970), pp. 32-33.

114) “Reviews: Theatre: Borstal Boy,” After Dark (Jun 1970), pp. 64-66. (plus overset)

115) “Tom Courtenay: The Loneliness of the Long-Distance Actor,” Interview (Jul 1970), Vol. 1, No. 9, pp. 10-11.

116) “The Lively Ones: Theatre – A Treat or a Treatment?” Signature (Jul 1970), pp. 18.

117) “Fish and Ships: South Street Seaport,” After Dark (Jul 1970), pp. 22-29.

118) “I Can Be Pretty Insulting: Joseph Strick,” After Dark (Jul 1970), pp. 47-49.

119) “Reviews: Theatre: Wilson in the Promised Land,” After Dark (Jul 1970), p. 66.

120) “Cue Reports from the Holland Festiveal,” Cue (Aug 1, 1970), pp. 11-12.

121) “The Film That Shattered the Berlin Film Festival,” Interview (Aug 1970), Vol. 1, No. 10, pp. 14-15, 20.

122) “USA Today at the Holland Festival,” Interview (Aug 1970), Vol. 1, No. 10, p. 21.

123) “Onstage at the Met: A Museum Puts the Past on Parade,” After Dark (Aug 1970), pp. 24-29.

124) “Reviews: Theatre: Othello,” After Dark (Aug 1970), p. 65.

125) “Germany After the Fall: Cranko’s Munich Deputy, Ed Dutton,” Dance (Aug 1970), pp. 23-31.

126) “Daniel Nagrin’s Magnet: the Peloponnesian War,” Dance (Aug 1970), pp. 63-71.

127) “Visiting Viveca, Visiting Actress: An Interview,” Theatre Today (Fall 1970), pp. 3-6, 16.

128) “A Sally Through the Alley: Houston’s New Alley Theatre,” After Dark (Sep 1970), pp. 32-35.

129) “The Constant Ryszard Cieslak,” After Dark (Sep 1970), pp. 36-41.

130) “What Joe Orton Saw: Death and the Maiden,” After Dark (Sep 1970), pp. 42-44.

131) “Come on Over to Our Place: the American Place Theatre,” After Dark (Sep 1970), pp. 48-51.

132) “Book Reviews: Two Plays / Theatre 2 / Dionysus in 69,” After Dark (Sep 1970), pp. 71-74.

133) “Theatre in Review,” Educational Theatre Journal (Oct 1970), pp. 311-313.

134) “Reports: Foreign: Bregenz,” Opera News (Oct 10, 1970), p. 24.

135) “Opera Festival: Munich,” High Fidelity / Musical America (Oct 1970), pp. 28-29.

136) “Like, Madness!” Opera News (Oct 17, 1970), p. 6.

137) “Appalachian Spring Then and Now,” After Dark (Nov 1970), pp. 48-55.

138) “Launching Pad for New Drama,” After Dark (Nov 1970), pp. 28-33.

139) “Towards the Sun: Mot Solen,” Dance (Nov 1970), pp. 62-65.

140) “Theatre in Review: Bavarian Theatre / Summer / 1970,” Educational Theatre Journal (Dec 1970), pp. 422-425.

141) “Books: Studies in the Art of the 19th Century,” Theatre Design and Technology (Dec 1970), pp. 23-24.

142) “Entertainment: All That Glitters Is Not Bergman,” The Scandinavian Times (Jan 1971), pp. 24-25.

143) “A Night at the (Finnish) Opera,” High Fidelity / Musical America (Jan 1971), pp.26-27.

144) “Jean Voigt: A Beautiful Man Is Hard To Find,” After Dark (Jan 1971), pp.39-41.

145) “Don’t Call Me Madam!” Opera News (Jan 23, 1971), pp. 6-7.

146) “Josef Svoboda Retires?” Theatre Crafts (Jan/Feb 1971), pp. 26-31, 39-40.

147) “Me Jane,” After Dark (Feb 1971), pp. 38-41.

148) “The Telephone Book,” After Dark (Feb 1971), pp. 50-53.

149) “Dutch Mutations,” Dance (Feb 1971), pp. 55-59.

150) “Helsinki’s New City Theatre,” Theatre Design and Technology (Feb 1971), pp. 10-15.

151) “Byways of Europe: VII: Copenhagen – Royal Court Theatre,” Opera News (Feb 13, 1971), p.29.

152) “News From Nowhere,” Players (Feb-Mar 1971), pp. 100-02.

153) “Too Much Intelligence? On the Relevance of Drama,” Speech and Drama News (Houghton Mifflin, Mar 1971), pp. 6-7, 12.

154) “Reviews, Kaspar and Other Plays; The Prince of Pleasure and His Regency; Embrace of Life: the Sculpture of Gustav Vigeland,” After Dark (Mar 1971), pp. 73-74.

155) “Folksinger Grimstad: Daughter of Famous Tenor,” Music Journal (Mar 1971), pp. 62-65.

156) “Theatre in Review: Saved, Johnny No-Trump,” Educational Theatre Journal (Mar 1971), pp. 85-87.

157) “Shop Talk With a British Playwright: David Storey Discusses Home and Other Scripts,” Dramatists’ Guild Quarterly (Spring 1971), pp. 27-30.

158) “Which Twin Has the Tony: Broadway Greets Twin Playwrights Peter and Tony Shaffer,” After Dark (Apr 1971), pp. 21-23.

159) “Like an Art School Should: NCSA in Winston-Salem,” After Dark (Apr 1971), pp. 26-31.

160) “Lulu: Rita Shane,” Opera News (Apr 17, 1971), p. 26.

161) “McCarter at the Rubicon,” Players (Apr-May 1971), pp. 176-179.

162) “Oh No! The Cockettes!” Inter/VIEW (Vol. II, No.2), pp. 7 & 36.

163) “Review: School for Wives, Hedda Gabler, A Doll’s House,” Educational Theatre Journal (May 1971), pp. 136, 205-6.

164) “No Fooling Around With Follies,” Theatre Crafts (May-Jun 1971), pp. 14-17, 32-34.

165) “Music for the Theatre,” Theatre Crafts (May-Jun 1971), pp. 22-25, 38-42.

166) “Distance – Does It Lend Enchantment?” Theatre Crafts (May-Jun 1971), pp. 26-28.

167) “Books,” Theatre Crafts (May-Jun 1971), p. 46.

168) “Thalia in Helsinki,” The American-Scandinavian Review (Summer 1971), pp. 134-144.

169) “East Is East,” After Dark (Jun 1971), pp. 30-33.

170) “Houses of Cards,” After Dark (Jun 1971), pp. 64 & 66.

171) “The Losers: Maybe Not a Winner,” Dance (Jul 1971), p. 22.

172) “Holey Moley! El Tope’s in Town!” After Dark (Jul 1971), pp. 26-29.

173) “Lot’s Wife Was Only Turned to Salt,” After Dark (Jul 1971), pp. 44-49.

174) “Sam Maloof,” Craft Horizons (Aug 1971), pp. 16-19, 70.

175) “May Day, Plus One, at the Berliner Ensemble,” After Dark (Aug 1971), pp. 21-24.

176) “Having a Word With Word,” Players (Aug-Sep 1971), pp. 262-267.

177) “Environmental Theatre,” “Non-Lighting for the Theatre,” “The Revolution as Theatre,” “Future Environmental Plans for Education,” Theatre Crafts (Sep 1971), pp. 6-9, 34-37; 14-15; 21, 42-43; 22-25; 26-27, 44-45; 30-33, 46-47.

178) “They Do! – They Do! A Celebration With Tom Jones and Harvey Schmidt,” After Dark (Sep 1971), pp. 48-53.

179) “All the Strange Things: John Butler on Opera Choreography,” Dance (Sep 1971), pp. 22-27.

180) “Theatre in Review: Dear Antoine,” Educational Theatre Journal (Oct 1971), pp. 351-2.

181) “Interview With Bob Moore and Otto Preminger,” Inter/VIEW (Vol. II, No. 3), pp. 32-33.

182) “Masks From Hell,” Theatre Crafts (Oct 1971), pp. 16-19, 34-36.

183) “Managing a Regional Theatre Costume Shop,” Theatre Crafts (Oct 1971), pp. 20-25, 37-39.

184) “Books,” Theatre Crafts (Oct 1971), pp. 46-47.

185) “Summer in Germany: The Arts Are Flourishing East of the Border,” Cue (Oct 23, 1971), pp. 18-19.

186) “Theatre of Images: Roumanian Director Dinu Cernescu Doesn’t Like Words,” Theatre Crafts (Nov-Dec 1971), pp. 22-23, 34.

187) “Books,” Theatre Crafts (Nov-Dec 1971), pp. 36-37.

188) “Gisela May: Sing Along With Bertolt Brecht,” Brooklyn Academy of Music Program (Nov 19 – Dec 11, 1971), pp. 5-7.

189) “The Author Is an Expendable Commodity,” Long Wharf Theatre Program (Nov 19 – Dec 11, 1971), pp. 12-13.

190) “Thoughts on Mary and Elizabeth: Robert Bolt,” Cue (Nov 20, 1971), pp. 11-12.

191) “Arthur Rubenstein: His Music and Genius,” Saturday Evening Post (Winter 1971), pp. 63, 110-111.

192) “Scenery for Salzburg’s Super Stage,” Theatre Design and Technology (Dec 1971), pp. 13-16.

193) “Notes on the Salzburg Festival Theatre,” Theatre Design and Technology, (Dec 1971), pp. 17-20.

194) “Fiddler Unter den Linden,” After Dark (Jan 1972), pp. 40-42.

195) “Nature Makes You Laugh – To Survive,” After Dark (Jan 1972), pp. 54-58.

196) “Vivat! Vivat Carl Toms!” Theatre Crafts (Jan-Feb 1972), pp. 12-17, 34-36.

197) “Getting To Look Like Yourself for TV,” Theatre Crafts (Jan – Feb 1972), pp. 21-23, 38-40.

198) “Books,” Theatre Crafts (Jan-Feb 1972), pp. 46-47.

199) “The Editors Bless – LOOM,” Show (Feb 1972), p. 12.

200) “Street Stages and Mobile Theatres,” Theatre Crafts (Mar-Apr 1972), pp. 14-16, 18-23, 40.

201) “Books,” Theatre Crafts, (Mar-Apr 1972), pp. 41-43.

202) “The Editors Blast – the Enemies of the Kennedy Center,” Show (April 1972), p. 13.

203) “Nature Transplanted,” Opera News (Apr. 15, 1972), p. 21.

204) “Theatre in Churches,” Theatre Crafts (May-June 1972), pp. 14-17, 18-21, 33.

205) “Churches Converted,” Theatre Crafts (May-June 1972), pp. 22-23, 26-28, 30.

206) “Books,” Theatre Crafts (May-June 1972), pp. 44-48.

207) (With Arnold Rood) “Gordon Craig’s Ghost Walks at Bayreuth,” Theatre Design and Technology (May 1972), pp. 4-18.

208) “The Many Facets of Bob Fosse,” After Dark (June 1972), pp. 22-27.

209) “May I Have This Dance, Mrs. Millament?” Wendy Hilton Teaches Baroque Dance,” Dance (July 1972), pp. 64-68.

210) “The Night Thoreau Spent in Jail,” After Dark (July 1972), pp. 30-33.

211) “Music To Think About Africa By,” High Fidelity / Musical American (Aug 1972), pp. 28-29.

212) “The Circus Parade Comes Indoors,” Theatre Crafts (Sep 1972), pp. 18, 32.

213) “Rings, Riggings, and Highwires,” Theatre Crafts (Sep 1972), pp. 19-20, 43-44.

214) “Rhinestones for Rhinos,” Theatre Crafts (Sep 1972), p. 35.

215) “Book Reviews: Circus Books,” Theatre Crafts (Sep 1972), pp. 45-46, 48.

216) “Review: Clifford Odets: Playwright,” Modern Drama (Sep 1972), pp. 212-13.

217) “Propping Up the A.C.T.,” Theatre Crafts (Oct 1972), pp. 12-17, pp. 32-37.

218) “Who Goes to an American Play?” Theatre Crafts (Oct 1972), pp. 22-25, 31.

219) “Book Reviews,” Theatre Crafts (Oct 1972), p. 46.

220) “Book and Record Reviews,” Theatre Crafts (Nov-Dec 1972), pp. 43-48.

221) “Edith Stein: Martyr and Mystic,” Rundschau (Nov 1972), pp. 18-19.

222) “The Twelve Days of Christmas,” Rundschau (Dec 1972), pp. 2-3.

223) “Before and After: The Renovation and Reconstruction of Philadelphia’s Walnut Street Theatre,” Theatre Design and Technology (Dec 1972), pp. 6-15.

224) “That Championship Jason,” After Dark (Jan 1973), pp. 48-52.

225) “Geva Talks About Yesterday, Today, and Tamara, Too,” Dance (Jan 1973), pp. 56-62.

226) “Lighting for Opera and Ballet in Repertory,” Theatre Crafts (Jan-Feb 1973), pp. 12-19, 34-38.

227) “Byways of Europe – X: The Elsinore Theatre,” Opera News (Jan 27, 1973), pp. 8-9.

228) “A Visit With Carl Orff,” Rundschau (Feb 1973), pp. 6-7.

229) “Premieres Beyond Broadway: The Changing Room / Naturalism in New Haven,” After Dark (Feb 1973), pp. 36-41.

230) “Broadway’s ‘Championship’ Playwright,” Performing Arts (Feb 1973), p. 23.

231) “Caravaggio in Collage: Jo Mielziner Creates a Projection Spectacular,” Theatre Design & Technology (Feb 1973), pp. 25-30.

232) “Premieres Beyond Broadway: Arena Stages Pueblo Affair,” After Dark (Mar 1973), pp. 31-33.

233) “Forty-Eight Opera Ballets in One Year: Tommy Andrew,” Dance (Mar 1973), pp. 48-54.

234) “Genesis of the Festivals,” Theatre Crafts (Mar-Apr 1973), pp. 8-11, 30-34.

235) “Shakespeare on Today’s Festival Stages,” Theatre Crafts (Mar-Apr 1973), pp. 14-17, 36-42.

236) “Shakespeare Spin-Offs and Funding,” Theatre Crafts (Mar-Apr 1973), pp. 28-29.

237) “Shakespeare Bibliography,” Theatre Crafts (Mar-Apr 1973), p. 49.

238) “New Books,” Theatre Crafts (Mar-Apr 1973), pp. 52-55.

239) “The Bard in Summer: North American Festivals 1972,” The Shakespeare Newsletter (April 1973), pp. 18-19.

240) “Premieres Beyond Broadway: Caravaggio in Cincinnati,” After Dark (Apr 1973), pp. 31-35.

241) “How To Be Unabhängig: Underground Film-maker Fritz Kracht,” Rundschau (Apr 1973), pp. 14-15.

242) “Ballets for Being: Zachary Solov Tells All About Choreographing for the Met,” Dance (Apr 1973), pp. 71-71A, 72-72A.

243) “Cross-Country with Shakespeare,” Smithsonian Magazine (May 1973), pp. 42-48.

244) “A Phoenix All Too Frequent: The Repertory Theatre of Lincoln Center – a Study in Success and Failure,” After Dark (May 1973), pp. 34-42.

245) “Holm Is Where the Heart Is,” After Dark (May 1973), pp. 60-65.

246) “Behind Soviet Scene: Lawrence and Lee Tour USSR,” Theatre Design and Technology (May 1973), pp. 13-17.

247) “Baltimore’s Center Stage Offers Theatre Smorgasbord in a Remodeled Cafeteria,” Theatre Crafts (May-Jun 1973), pp. 12-15, 38-42.

248) “Carmen on Top: On the Agonies of Opera Ballet as Seen by Robert Joffrey,” Dance (Jun 1973), pp. 42, 42A-B, 42C-D.

249) “Ups and Downs: Bringing Down the House,” Architectural Forum (Jun 1973), pp. 68, 72.

250) “New Boards for Broadway: Part I: the Uris and the Minskoff,” After Dark (Sep 1973), pp. 27-29.

251) “Dance in the Musical Theatre,” Theatre Crafts (Sep 1973), pp. 24-28, 37-42.

252) “Traumas with Sets and Costumes at New Haven’s Long Wharf Theatre,” Theatre Crafts (Oct 1973), pp. 6-11, 33-34, 38-39.

253) “Dreams That Money Can Buy: Idea for Theatre Groups on Arts-Business Cooperation,” Theatre Crafts (Oct 1973), pp. 31, 39.

254) “Books,” Theatre Crafts (Oct 1973), p. 4.

255) “Bregenz,” Opera News (Oct 1973), p. 47.

256) “Arthur Laurents Is High on Comedy,” After Dark (Nov 1973), pp. 34-36.

257) “New Boards for Broadway: Part II: Joseph E. Levine and American Place Theatre,” After Dark (Nov 1973), pp. 45-47.

258) “A Spectacular Aida,” High Fidelity / Musical America (Nov 1973), pp. MA 27, 29.

259) “Fantastic Realism: a New School in German Art,” Rundschau (Nov 1973), pp. 10-11.

260) “Remembering Reinhardt,” Theatre Crafts (Nov-Dec 1973), pp. 22-27.

261) “Books,” Theatre Crafts (Nov-Dec 1973), pp. 40-41.

262) “Reimann’s Melusine: Debussy’s Pelleas,” High Fidelity / Musical America (Dec 1973), pp. MA 28-29.

263) “Some Outstanding Events: Festivals 1973,” The Theatre Annual (1973), pp. 91-101.

264) “Busy John Butler Reports on Roving Choreography,” Dance (Jan 1974), pp. 44-50.

265) “Book Notes,” Theatre Crafts (Jan-Feb 1974), pp. 63-64.

266) “An African Cult of Lucky Twins,” Smithsonian Magazine (Jan 1974), pp. 74-77.

267) “Hans van Manen: Setting the Record Straight on Netherlands Dance Theatre,” Dance (Feb 1974), pp. 70-77.

268) “The Best of All Possible Shows: Candide,” After Dark (Mar 1974), pp. 34-39.

269) “Bill Ball’s Shrewd Shrew,” After Dark (Mar 1974), pp. 56-63.

270) “Evolution of an Ensemble: Rudi van Dantzig on the National Ballet of Holland,” Dance (Mar 1974), pp. 34-39.

271) “Production Eye: Shrew at ACT,” Theatre Crafts (Mar-Apr 1974), p. 2.

272) “The Mother of Them All: LaMama E.T.C.,” Theatre Crafts (Mar-Apr 1974), pp. 20-23, 43-47.

273) “Cross-Country with Shakespeare,” USIS News Service (April 1974), reprinted from Smithsonian, distributed world-wide.

274) “Dans l’Espace Cardin,” After Dark (Apr 1974), pp. 60-66.

275) “Götz Friedrich,” High Fidelity / Musical America (Apr 1974), pp. 38-40.

276) “The New London Theatre: a West End Answer to the Uris and the Minskoff?” Theatre Design and Technology (May 1974), pp. 6-11.

277) DC Arena,” Theatre Crafts (May-Jun 1974), p. 2.

278) “Stage Blood and Desert Sand,” Theatre Crafts (May-Jun 1974), pp. 20-23, 42-45.

279) “Book and Record Roundup,” Theatre Crafts (May-Jun 1974), pp. 24-30, 32-38, 40.

280) “Premieres Beyond Broadway: Royal Shakespeare Company’s Section Nine,” After Dark (Jun 1974), pp. 58-61.

281) “Theatre: A Tale of Two Globes,” American Scholar (Summer, 1974), pp. 482-89.

282) “I Hear Hungary Singing,” High Fidelity / Musical America (Aug 1974), pp. MA 36-38.

283) “The Julliard Theatre Complex,” Theatre Crafts (Sep 1974), pp. 18-19, 47.

284) “American Place Theatre,” Theatre Crafts (Sep 1974), pp. 20-21, pp. 44-47.

285) “Joseph E. Levine Theatre,” Theatre Crafts (Sep 1974), pp. 22, 48, 50, 52.

286) “The Uris Theatre,” Theatre Crafts (Sep 1974), pp. 23, 34-37.

287) “The Minskoff Theatre,” Theatre Crafts (Sep 1974), pp. 24, 26, 52.

288) “Book Review: The Staging of Plays Before Shakespeare,” Quarterly Journal of Speech (Oct 1974), pp. 403-04.

289) “The Design Techniques of Gábor Forray,” Theatre Design and Technology (Oct 1974), pp. 11-16.

290) “The New Phoenix Repertory Company on Fire,” Theatre Crafts (Nov-Dec 1974), pp. 12-17, 29-32, 45-46.

291) “Jim Dale’s Ten-Thousand Moments,” After Dark (Dec 1974), pp. 52-56.

292) “LaMama’s Second Home,” Theatre Crafts (Jan-Feb 1975), p. 21.

293) “NEC Restages for TV,” Theatre Crafts (Jan-Feb 1975), pp. 60-62.

294) “Adam ,” After Dark (Mar 1975), pp. 78-81.

295) “ACT’s Nightmare Richard III,” Theatre Crafts (Mar-Apr 1975), p. 2.

296) “Boccaccio Comes to the Arena Stage,” Theatre Crafts (Mar-Apr 1975), p. 47.

297) “Costumes for the Byrds: Dressing Robert Wilson’s ‘Life and Times of Joseph Stalin,’” Theatre Crafts (May-June 1975), pp. 16-19, 42-46.

298) “Robin Phillips: Aren’t the Crown Jewels Just Wonderful?” After Dark (July 1975), pp. 64-67.

299) “Bicentennial Special Issue: History on Outdoor Stages – Costumes / Settings / Special Effects / Lighting,” Theatre Crafts (Sep 1975), pp. 12-27, 53-56.

300) “All’s Well at Ashland,” Theatre Crafts (Sep 1975), p. 66.

300A) “Book Reviews: The Theatrical Even,” American Notes and Queries (Oct 1975), pp. 29-31.

301) “John Houseman, Schoolmaster,” After Dark (Nov 1975), pp. 51-54.

302) “Here, There, and …,” After Dark (Nov 1975), pp. 87-88.

303) “The Seattle Repertory Theatre,” Theatre Crafts (Nov-Dec 1975), pp. 12-15, 29-35.

304) “Here There, and …,” After Dark (Dec 1975), pp. 100-101.

305) “Adding Attractions,” After Dark (Jan 1976), p. 27.

306) “Here, There, and …” After Dark (Jan 1976), pp. 86-87.

307) “Book Notes,” Theatre Crafts (Jan-Feb 1976), p. 61.

308) “A Stark Dream,” Theatre Crafts (Jan0-Feb 1976), p. 72.

309) “Other Stages,” After Dark (Feb 1976), pp. 83-84.

310) “Summer, 1976: Scenography Plays a Large Role in European Opera Festivals,” Theatre Design and Technology (Spring 1976), pp. 26-28.

311) “Leni Kiefenstahl: The Will Triumphant,” After Dark (Mar 1976), pp. 28-33.

312) “On Other Stages,” After Dark (Mar 1976), pp. 83-85.

313) “Beyond Broadway: A Bicentennial Summer’s Dream,” After Dark (Apr 1976), pp. 74-75.

314) “Other Stages,” After Dark (Apr 1976), pp. 79-81.

315) “Other Stages,” After Dark (May 1976), pp. 79-81.

316) “Theatrical Evolution: 1776-1976,” Theatre Crafts (May-Jun 1976), p. 2.

317) “New and Recycled: Robert Yodice Designs for Opera and Dance at Julliard,” Theatre Crafts (May-Jun 1976), pp. 6-11, 26-31.

318) “Other Stages,” After Dark (Jun 1976), pp. 86-87.

319) “Dave Boushey: Jock Brawls Are Alive and Well and Onstage in Ashland,” After Dark (Jun 1976), pp. 33-35.

320) “Gregory Rozakis: The Man You Love To Hate,” After Dark (Jun 1976), pp. 52-55.

321) “Other Stages,” After Dark (Jun 1976), pp. 78, 81-82.

322) “Opera Houses USA: On the Restoration Trail: Nevada City, Calif.,” Opera News (Jul 1976), pp. 25-26.

323) “Goodbye, Cinderella,” Rundschau (Aug 1976), pp. 10-11.

324) “The Goodman Theatre: The Second City’s First-Class Stage,” After Dark (Aug 1976), pp. 38-42.

325) “Other Stages,” After Dark (Aug 1976), pp. 82-85.

326) “Interview: Edward Bond: The First Cycle,” Performing Arts Journal (Fall 1976), pp. 37-45.

327) “Stanislavski on Opera: Review,” Performing Arts Journal (Fall 1976), pp. 98-101.

328) “Dearest Enemy – Another Goodspeed-Broadway Transfer?” Theatre Crafts (Sep 1976), p. 4.

329) “Old Movie Show in Newark,” Theatre Crafts (Sep 1976), p. 4.

330) “Giant Pinball for Catch 22,” Theatre Crafts (Sep 1976), p. 6.

331) “Community Theatre Then and Now,” Theatre Crafts (Sep 1976), p. 7.

332) “Other Stages,” After Dark (Sep 1976), pp. 88-90.

333) “Loom Makes a Lot Out of a Little,” Theatre Crafts (Oct 1976), p. 4.

334) “Running the World’s Largest Rep: Artistic and Business Decision – Making at the Metropolitan Opera,” Theatre Crafts (Oct 1976), pp. 14-19, 34-42.

335) “The Jesus Marathon,” The Christian Century (18 Oct 1976), pp. 872-875.

335A) Wagner’s Home Redecorated,” Progressive Architecture (Nov 1976), p. 26.

336) “Breaking the Proscenium Barrier,” “Toy-town Windsor,” “Operatic Unit-Set,” Theatre Crafts (Nov-Dec 1976), p. 4.

337) “New Vision in Opera Design: Rudolf Heinrich in Retrospect,” Theatre Crafts (Nov-Dec 1976), pp. 12-17, 36-40.

338) “Singing While Rome Burns,” “Polyethylene Paradise,” “Fair Employment for Dwarfs,” Theatre Crafts (Nov-Dec 1976), p. 53.

339) “Adding Attractions: Fund-Raising Follies With Connie Kelly,” After Dark (Dec 1976), p. 24.

340) “Peter Farmer,” After Dark (Dec 1976), pp. 68-71.

341) “Other Stages,” After Dark (Dec 1976), pp. 106-7.

342) “European Festivals 1976,” After Dark (Dec 1976), pp. 107-9.

343) “Great Directors III: August Everding, the Romantic Realist,” Opera News (4 Dec 1976), pp. 12-19.

344) “A Simple, Saving Seating System,” Theatre Design and Technology (Fall 1976), pp. 47-48.

345) “Other Stages,” After Dark (Jan 1977), pp. 84-85.

346) “If It Burns, Forget It,” Theatre Crafts (Jan-Feb 1977), pp. 10-15, 64-68.

347) “Other Stages,” After Dark (Feb 1977), pp. 82-84.

348) “Wahnfried Restored,” Opera News (19 Feb 1977), pp. 14-15.

349) “Can Circle Rep Survive Success?” After Dark (Mar 1977), pp. 46-50.

350) “Brad Dourif: From Well-Fed Hippie to ‘Best Newcomer;” After Dark (Mar 1977), pp. 50-53.

351) “Other Stages,” After Dark (Mar 1977), pp. 81-82.

352) “The Glory of the Russians,” Theatre Crafts (Mar-Apr 1977), p. 4.

353) “Super Man at ACT,” Theatre Crafts (Mar-Apr 1977), p. 6.

354) “The Bayreuth Festival: A Centenary Ring Cycle,” Theatre Crafts (Mar-Apr 1977), pp. 16-17, 36D, 38.

355) “The Munich Festival,” Theatre Crafts (Mar-Apr 1977), pp. 18-19, 38, 40.

356) “The Salzburg Festival,” Theatre Crafts (Mar-Apr 1977), pp. 20-21, 34, 36.

357) “The Bregenz Festival,” Theatre Crafts (Mar-Apr 1977), pp. 22-23, 40-41.

358) “Historic Theatres as Festival Focus,” Theatre Crafts (Mar-Apr 1977), pp. 24-25, 30, 32, 34.

359) “Other Stages,” After Dark (Apr 1977), pp. 98-99.

360) “… Directed by Broadway’s Enfant Terrible, Tom O’Horgan,” Opera News (16 Apr 1977), pp.15-17.

361) “Ballet’s Free-Thinker, John Neumeier,” Dancescope (Spring /Summer 1977), pp. 24-33.

362) “Other Stages,” After Dark (May 1977), p. 81.

363) “Spandau: The Secret Diaries,” Christian Century (18 May 1977), p. 484.

364) “Hartman’s Handsome Hypocrite,” Theatre Crafts (May-Jun 1977), p. 2.

365) “Swedish Silents Saved,” Theatre Crafts (May-Jun 1977), p. 26.

366) “Book Reviews,” Theatre Crafts (May-Jun 1977), pp. 45-48.

367) “Andrei Serban’s The Cherry Orchard: a Radical Revision of a Russian Classic,” After Dark (Jun 1977), pp. 26-27.

368) “Tom O’Horgan: Pop Goes the Opera –” “Gilding the New York City Opera’s Lily,” After Dark (Jun 1977), pp. 36-38.

369) “Mounting The Trojans at the Vienna State Opera,” After Dark (Jun 1977), pp. 39-41.

370) “Other Stages,” After Dark (Jun 1977), pp. 81-84.

371) “Oregon Shakespearean Festival: Rousing Repertory in the Middle of Nowhere,” After Dark (Jul 1977), pp. 62-66.

372) “Other Stages,” After Dark (Jul 1977), pp. 90-91.

373) “Drama: America’s Past Is Alive and Outdoors,” Christian Century (20-27 Jul 1977), pp. 661-2.

374) “Theatre Under the Influence:” “Agamemnon and Macbeth: Bloody Rites and Royal Wrongs,” “Troilus and Cressida: Sex and Sinew,” “The Theatre of the Dead Comes to Life,” After Dark (Aug 1977), pp. 66-72.

375)

376)

377) “Other Stages,” After Dark (Aug 1977), pp. 83-84.

378) “New Broadcast Archives,” Theatre Crafts (Sep 1977), p. 6.

379) “Chichester Festival,” Theatre Crafts (Sep 1977), p. 12.

380) “Lush Lulu,” “Met’s Budget Prophète,” Theatre Crafts (Sep 1977), p. 14.

381) “Books: The Movies Begin…,” Theatre Crafts (Sep 1977), p. 109.

382) “Reviews: Amsterdam,” Opera News (Sep 1977), p. 60.

383) “Other Stages,” After Dark (Sep 1977), pp. 84-86.

384) “BAM – Awash, Afloat,” New York (26 Sep 1977), pp. 52-55.

385) “Other Stages: Dragon’s Teeth in Seattle,” After Dark (Oct 1977), pp. 27, 30, 82.

386) “Shakespeare the Canadian,” Christian Century (5 Oct 1977), pp. 882-4.

387) “The National Theatre,” Theatre Crafts (Oct 1977), pp. 26-33, 58-70.

388) “Holland Festival 1977,” Theatre Crafts (Oct 1977), p. 6.

389) “Subsidized Opera Training,” Theatre Crafts (Oct 1977), p. 6.

390) “Other Stages,” After Dark (Nov 1977), pp. 94-96.

391) “Opera on Television: David Myerscough Jones Designs for the Camera,” Theatre Crafts (Nov-Dec 1977), pp. 32-40.

392) “Onstage at Ashland,” “Seattle Ring,” Theatre Crafts (Nov-Dec 1977), p. 8.

393) “Another Dames?” Theatre Crafts (Nov-Dec 1977), p. 10.

394) “Shakespeare on Tape,” Theatre Crafts (Nov-Dec 1977), p. 11.

395) “Earnest at Seattle’s Intiman Theatre,” “Four-Square Theatre in Stockholm’s Dramaten,” Theatre Crafts (Nov-Dec 1977), p. 96.

396) “ITI Congress and Swedish Theatre,” Performing Arts Journal (Fall 1977), pp. 77-83.

397) “The 42nd Street Theatres: Can They Be Saved?” Marquee (Fourth Quarter 1977), pp. 77-83.

398) “A Destroying Angel From the Polish Mime Theatre,” After Dark (Dec 1977), pp. 14-17.

399) “Other Stages,” After Dark (Dec 1977), pp. 94-96.

400) “Book Bits: When New Jersey Was Hollywood,” After Dark (Dec 1977), pp. 109-110.

401) “Other Stages,” After Dark, (Jan 1978), pp. 83-84.

402) “The Prodigal Son Dances,” Christian Century (Feb 15, 1978), pp. 168-9.

403) “Antigone a la Bunraku: Sweden’s Michael Meschke Mixes the Theatre Media,” Theatre News: Asian Theatre (Feb 1978), pp. 21-22.

404) “Times Square Redevelopment: 42nd Street Changes Its Tune,” After Dark (Feb 1978), pp. 65-70.

405) “Peter Evans and Ellis Rabb Give Life to the Theatre,” After Dark (Feb 1978), pp. 76-79.

406) “Other Stages,” After Dark (Feb 1978), pp. 24-26.

407) “Lend Me Your Opera,” Opera News (Mar 11, 1978), pp. 16-18.

408) “Soaring Seattle Arts,” After Dark (Mar 1978), pp. 26-35.

409) “Other Stages,” After Dark (Mar 1978), pp. 82-83, 84-85.

410) “The Survival of Repertory Theatre,” New York Theatre Review (Mar 1978), pp. 5-8.

411) “Designing for a New Vision: Jean-Pierre Ponnelle,” Theatre Crafts (Mar-Apr 1978), pp. 14-19, 59.

412) “Other Stages,” After Dark (Apr 1978), p. 80.

413) “Happy Birthday, Showboat!” After Dark (Apr 1978), pp. 93-94.

414) “Other Stages,” After Dark (May 1978), pp. 114-116.

415)

416) “Rotating Rep at ACT,” Theatre Crafts (May-Jun 1978), p. 9.

417) “White Voida / Empty Space,” Theatre Crafts (May-Jun 1978), p. 10.

418) “Stratford at Twenty-Five: the Silver Anniversary of a Revitalized Stratford Festival,” Theatre Crafts (May-Jun 1978), pp. 16-22, 44-48.

419) “Daphne Dare: Head of Design,” Theatre Crafts (May-Jun 1978), pp. 19, 55-56.

420) “Gilbert Wechsler: Stratford’s Resident Lighting Designer,” Theatre Crafts (May-Jun 1978), pp. 21, 62-64.

421) “Summer of Shaw: The Life-Force at Niagara-on-the-Lake,” Theatre Crafts (May-Jun 1978), pp. 23, 48-51.

422) “Book Reviews,” Theatre Crafts (May-Jun 1978), p.67.

423) “The Collapse of a Movable Ceiling: a Report from San Jose,” Theatre Design and Technology (Spring 1978), pp. 4-10.

424) “The Collapse of a Movable Ceiling,” (Reprint) ABTT News (London) (Jun 1978), pp. 8-11.

425) “Performing Arts for the People! Wolf Trap Is Part of a Grand Tradition,” Felene Center Lines (Jun-Summer 1978 Season Program). np.

426) “Other Stages,” After Dark (Jun 1978), pp. 83-85.

427) “And the Beatty Goes On,” After Dark (Jul 1978), pp. 52-55.

428) “Other Stages,” After Dark (Jul 1978), pp. 82-83.

429) “Rita Shane: From Eagle to Nightingale in One Fell Swoop,” After Dark (Aug 1978), pp. 28-31.

430) “Craig Anderson of the Hudson Guild Theatre: OOBA’s Young Da,” After Dark (Aug 1978), pp. 66-69.

431) “Other Stages,” After Dark (Aug 1978), pp.82-85.

432) “Great Directors: Otto Schenk: The Actor/Regisseur,” Opera News (Sep 1978), pp. 14-21.

433) “Light Is White and Less Is More,” Theatre Crafts (Sep 1978), p. 7.

434) “Other Stages,” After Dark (Sep 1978), pp. 82-84.

435) “Prince of the Golden West,” Opera News (Oct 1978), pp. 34-37.

436) “Visalia,” After Dark (Oct 1978), pp. 78-80.

437) “With Strings Attached: Puppet Opera Flourishes in Sacramento,” Opera News (Nov 1978), pp. 13-16.

438) “Minneapolis Magnets: The Guthrie and More,” After Dark (Nov 1978), pp. 76-81.

439) “Other Stages,” After Dark (Nov 1978), pp. 95-97.

440) “Operas in Repertory Design at Edinburgh,” Theatre Crafts (Nov-Dec 1978), p. 4.

441) “Collaboration and Synthesis: Gunilla Palmstierna-Weiss Discusses Designs and Directors,” Theatre Crafts (Nov-Dec 1978), pp. 38-43, 55-57.

442) “The Versatile Koltai,” Theatre Crafts (Nov-Dec 1978), p. 94.

443) “Giving Society a Goose: Joe Orton’s Comedy of Revenge,” After Dark (Dec 1978), pp. 44-51.

444) “Other Stages,” After Dark (Dec 1978), pp. 96-98.

445) “Other Stages,” After Dark (Jan 1979), pp. 84-85.

446) “New Haven Between Wars,” Theatre Crafts (Jan-Feb 1979), p. 6.

447) “Using the Oliver Machine,” Theatre Crafts (Jan-Feb 1979), p. 8.

448) “Figaro Without the Music,” Theatre Crafts (Jan-Feb 1979), p. 71.

449) “Other Stages,” After Dark (Feb 1979), pp. 28-29, 80-82.

450) “Other Stages / New York,” After Dark (Jan 1979), pp. 24-25.

451) “The Chelsea Theatre Gets Its Act Together – Again,” After Dark (Mar 1979), pp. 30-35.

452) “Other Stages / New York,” After Dark (Mar 1979), pp. 85-87.

453) “Uplifting Experience at the Met,” Theatre Crafts (Mar-Apr 1979), p. 3.

454) “Denying the Space,” Theatre Crafts (Mar-Apr 1979), p. 6.

455) “Other Stages / New York,” After Dark (Apr 1979), pp. 84-86.

456) “Other Stages / New York,” After Dark (May 1979), pp. 24-26.

457) “Meeting by the River,” Theatre Review (May 1979)), p. 43.

458) “Glitz-Time at LaMama ETC,” Theatre Crafts (May-Jun 1979), p. 3.

459) “Drottningholm at Julliard,” Theatre Crafts (May-Jun 1979), p. 3.

460) “Sweden’s Touring National Theatre Visits America as a Poster Show,” Theatre Crafts (May-Jun 1979), p. 7.

461) “Words and Music in San Francisco,” Theatre Crafts (May-Jun 1979), p. 50.

462) “The Edinburgh Festival: On and Off the Fringe,” Theatre Crafts (May-Jun 1979), p. 12-17, 56-64.

463) “The Glyndebourne Festivals: A Dream of Perfection,” Theatre Crafts (May-Jun 1979), pp. 18-21, 74-76.

464) “The Chichester Festival: Performing for Profits,” Theatre Crafts (May-Jun 1979), pp. 22-23, 70-71.

465) “The Yale Repertory Theatre: An Interview with Robert Brustein,” Theatre (Summer 1979), pp. 47-54. (With Joel Schechter)

466) “Manhattan Theatre Club: Three-Story Pushcart,” After Dark (Jun 1979), pp. 76-79.

467) “Other Stages / New York,” After Dark (Jun 1979), pp. 89-93.

468) “Book Reviews: Free, Adult, Uncensored –Federal Theatre,” After Dark (Jun 1979), pp. 104-5.

469) “Prophet Without Honor: John Nuemeier,” Ballet News (Jun 1979), pp. 34-39.

470) “Other Stages / New York,” After Dark (Jul 1979), pp. 30-31, 80-81.

471) “Other Stages / New York,” After Dark (Aug 1979), pp. 62-64.

472) “Book Bits,” After Dark (Aug 1979), pp. 73, 77.

473) “Sweeney Todd – Fish or Foul?” Keynote (Aug 1979), pp. 12-17.

474) “Chinchilla: A Sinister Epigram of Lust and Art,” After Dark (Sep 1979).

475) “Other Stages / New York,” After Dark (Sep 1979), pp. 20, 23-24.

476) “The 42nd Street Redevelopment: Storefronts and Parno Palaces into Theatres,” Theatre Crafts (Sep 1979), pp. 48-53, 102.

477) “Tales from the Vienna Shops,” Opera News (Oct 1979), pp. 22-26.

478) “Tales of the Vienna Workshops,” Theatre Crafts (Oct 1979), pp. 38-39, 72-75.

479) “Broadway Dancin’,” Performing Arts Journal (10/11 1979), pp. 129-141.

480) “Sermon Without Words,” Scandinavian Review (Winter/4 1979), pp. 64-73.

481) “Book Review: Stage Scenery, Machinery, and Lighting,” Broadside (Winter 1979), p. 4.

482) “British Drama Books,” Broadside (Winter 1980), p. 4.

483) “On Broadway: The American Dance Machine,” Ballet News (Jan/Feb 1980), pp. 22-26.

484) “Other Stages / New York,” After Dark (Jan 1980), pp. 24-25.

485) “Europe in the Seventies,” Theatre Crafts (Jan/Feb 1980), pp. 22-23, 86-97.

486) “Shooting Up in New York,” After Dark (Feb 1980), pp. 34-37.

487) “Other Stages / New York,” After Dark (Feb 1980), pp. 19-20.

488) “Other Stages / New York,” After Dark (Mar 1980), pp. 18, 20-21.

489) “Painting in Space: Tina Ramirez’s Conception for the Ballet Hispanico,” Dance (Mar 1980), pp. 76-81.

490) “Other Stages / New York,” After Dark (Apr 1980), p. 24.

491) “Dateline Lake Placid,” After Dark (May 1980), p. 15.

492) “Other Stages / New York,” After Dark (May 1980), pp. 65-66.

493) “Other Stages / New York,” After Dark (Jun 1980), p. 58.

494) “Jim Dale: the Humbug of Broadway,” After Dark (Jul 1980), pp. 27-29.

495) “Other Stages / New York and Lawrence,” After Dark (Jul 1980), pp. 57-58.

496) “Other Stages / New York,” After Dark (Jul 1980), p. 62.

497) “Ghosts Around Piper’s Opera House in Virginia City, Nevada,” 19th Century (Autumn 1980), pp. 52-54.

498) “Other Stages / New York,” After Dark (Sep 1980), p. 63.

499) “Bay Area Theatre Spaces,” Theatre Crafts (Sep 1980), pp. 23, 92-94.

500) “Designing the Spectacular: an Interview with Jose Varona,” Theatre Crafts (Oct 1980), pp. 28-33, 68-72.

501) “Other Stages / New York,” After Dark (Dec 1980), p. 62.

502) “Other Stages / New York,” After Dark (Jan 1981), p. 68.

503) “Dateline: New York,” After Dark (Feb 1981), p. 18-19.

504) “Other Stages,” After Dark (Feb 1981), p. 66.

505) “Recreating Amadeus,” Theatre Crafts (Mar 1981), pp. 10-15, 65-75.

506) “Other Stages,” After Dark (Mar 1981), p. 68.

507) “Don’t Cry for Andrew Lloyd Webber,” Opera News (Apr 4, 1981), pp. 12-14, 27.

508) “New York City Opera Fun Season,” Theatre Crafts (Apr 1981), p. 38.

509) “Design Fun at the ACT,” Theatre Crafts (Apr 1981), p. 42.

510) “Machines and Scenes: Theatre Stagins, Opera Stagins in Britain,” Theatre Crafts (May 1981), pp. 11-15, 39-46.

511) “Hockney at the Opera,” Theatre Crafts (Jun/Jul 1981), p. 10.

512) “State of the Arts: Education for Heartbreak,” American Arts (Jul 1981), pp. 31-32.

513) “Spoleto/Charleston,” Dance (Aug 1981), pp. 13-14.

514) “David Hockney on ‘Parade,’ Redesigning Modern Opera,” Performing Arts Journal, Vol. 15 (1981), pp. 65-74.

515) “Book Reviews,” PAJ, Vol. 15 (1981), pp. 104-107.

516) “The Citizen’s Theatre of Glasgow: Every Seat 90 Pence,” Theatre Crafts (Aug/Sep 1981), pp. 20-25, 42-47.

517) “The Rocky Horror Road To Success: Designer Sue Blane,” Theatre Crafts (Aug/Sep 1981), pp. 26-29, 78-88.

518) “News from New Haven,” TC (Aug/Sep 1981), p. 18.

519) “Mexico’s Cervantes Festival,” High Fidelity / Musical America (Oct 1981), pp. 35-36.

520) “Highland Fling: Edinburgh Festival,” Performing Arts Journal, Nr. 16 / Vol. IV, 1 (Winter 1982), pp. 133-35.

521) “Books,” Performing Arts Journal, Nr. 16 (Winter 1982), pp. 140-41, 143-44.

522) “Spotlight on Dance in Musical Theatre,” Dance (Jan 1982), p. 116.

523) “Choosing a Play,” Dramatics (Mar 1982), pp. 30-32.

524) “La Mama Celebrates 20 Years: Ellen Stewart,” Performing Arts Journal, Nr. 17 (Spring 1982), pp. 6-28.

525) “Books & Company,” Performing Arts Journal, Nr. 17 (Spring 1982), pp. 112-114.

526) “Acting in Period Plays,” Showcasing American Drama, BC/NEH Casebook (Spring 1982), pp. 11-12.

527) “Painting with Lights: A Profile of Beni Montresor,” Theatre Crafts (May 1982), pp. 14-17, 32-40.

528) “Reviews: Arthur Rubinstein (1981) and Americans Courageous (1978),” Video (May 1982), pp. 33-34.

529) “Smash First Act,” Curtain/Dramatics (Jun 1982), pp. 6-7, 12.

530) “Reviews: Lenny Bruce and Our Town, Video (Jun 1982), pp. 31, 32.

531) “Reviews: Buster Keaton,” Video (Jul 1982), p.33.

532) “Of Time and the River Jordan,” Commentary (Aug 1982), pp. 59-60.

533) “Reviews: Pippin,” Video (Aug 1982), p. 31.

534) “Ellen Stewart’s La Mama,” Dramatics (Sep 1982), pp. 40-41, 46.

535) “Reviews: Holocaust and Tribute,” Video (Sep 1982), pp. 50-51.

536) “Reviews: Comedy Tonight and Aida,” Video (Oct 1982), pp. 48-50.

537) “Peer Gynt: Review of CSC Production,” Ibsen News & Comment, Nr. 3 (1982), pp. 30-32.

538) “Styles in Production: Ghosts, Parsifal, Above the Villages,” Performing Arts Journal, Nr. 18 (Nov 1982), pp. 70-72, 77-79, 79-81.

539) ”Reviews: The Pearl,” Video (Nov 1982), p. 32.

540) “Review: Gielgud’s Chekhov,” Video (Dec 1982), pp. 44-45.

541) “The Perfect Wagnerite? – Patrice Chereau’s Bayreuth Ring,” Opera News (1 Jan 1983), pp. 32-36.

542) “Rebel with a Cause: The Legacy of Jack Cole, Part 1,” Dance (Jan 1983), pp. 40-46.

543) “Review: The Norman Conquests: Table Manners,” Video (Jan 1983), pp. 41-42.

544) “Rebel with a Cause: The Legacy of Jack Cole, Part 2,” Dance (Feb 1983), pp. 38-43.

545) “Review: Eubie,” Video, (Feb 1983), p. 45.

546) “Setting the 19th Century Stage for Uncle Tom’s Cabin,” A Handbook of Source Materials on Uncle Tom’s Cabin, BC/NEH Casebook (Spring 1983), pp. 6-9.

547) “Book Reviews,” Broadside (Spring 1983), p. 3.

548) “Books & Company,” Performing Arts Journal, Nr. 19 (Spring 1983), pp. 130-32.

549) “Rebel with a Cause: The Legacy of Jack Cole, Part 3,” Dance (Mar 1983), pp. 78-80.

550) “Review: La Boheme and Horowitz in London,” Video (Mar 1983), pp. 49-50.

551) “Film: Parsifal,” Opera News (12 Mar 1983), pp. 42-43.

552) “Rebel with a Cause: The Legacy of Jack Cole, Part 4,” Dance (Apr 1983), pp. 79-81.

553) “Review: Peter Grimes,” Video (Apr 1983), p. 43.

554) “Met Spectacles,” Theatre Crafts (Apr 1983), p. 8.

555) “Rebel with a Cause: The Legacy of Jack Cole, Part 5,” Dance (May 1983), pp. 123-129.

556) “Reviews: Samson and Dalila, Puss in Boots, Degas, Erte, & Chagall,” Video (May 1983), pp. 42, 43-44, 44.

557) “Great Directors VIII: Goetz Friedrich: the Political Activist,” Opera News (May 1983), pp. 17-19, 42.

558) “Like Clockwork,” Theatre Crafts (May 1983), p. 8.

559) “Rebel with a Cause: The Legacy of Jack Cole, Part 6,” Dance (Jun 1983), pp. 62-64.

560) “Review: Rostropovich,” Video (Jun 1983), p. 45.

561) “On the Festival Trail in Europe,” Dramatics (Jun 1983), pp. 4-7.

562) “Tennessee Williams: The Catastrophe of Success – You Can’t Retire from Being an Artist,” Performing Arts Journal, Nr. 20 (Summer 1983), pp. 73-87.

563) “Book Reviews,” Performing Arts Journal, Nr. 20 (Summer 1983), pp. 117-18.

564) “Balanchine on Broadway,” Dance (Jul 1983), pp. 90-93.

565) “Rebel with a Cause: The Legacy of Jack Cole, Part 7,” Dance (Aug 1983), pp. 82-85.

566) “Review: Itzhak Perlman,” Video (Aug 1983), p. 44.

567) “Rebel with a Cause: The Legacy of Jack Cole, Part 8,” Dance (Sep 1983), pp. 52-57.

568) “Quick! What Rhymes with Engel?” Dramatics (Sep 1983), pp. 45-48.

569) “The Carmen Connection,” Opera News (Sep 1983), pp. 11-14.

570) “Rebel with a Cause: The Legacy of Jack Cole, Part 9,” Dance (Nov 1983), pp. 76-80.

571) “Nevada City, California: The American-Victorian Museum,” Travel & Leisure (Nov 1983), pp. CA2-7.

572) “Review: Alice in Wonderland,” Video (Nov 1983), p. 56.

573) “It’s All in the Plot: Tom Munn of the San Francisco Opera,” Theatre Crafts (Nov/Dec 1983), pp. 20-23, 65-69.

574) “Rebel with a Cause: The Legacy of Jack Cole, Part 10,” Dance (Dec 1983), pp. 54-58.

575) “Review: Aarhus,” Opera News (10 Dec 1983), pp. 81-82.

576) “Rebel with a Cause: The Legacy of Jack Cole, Part 11,” Dance (Jan 1984), pp. 68-70.

577) “Broadway Nora: The Musical, A Doll’s House,” Ibsen News & Comment (4/1983), pp. 14-17.

578) “Rebel with a Cause: The Legacy of Jack Cole, Part 12,” Dance (Feb 1984), pp. 75-77.

579) “Review: Sam Maloof: Woodworker,” American Craft (Feb/Mar 1984), p. 38.

580) “Innovative Design on European Stages,” Performing Arts Journal, Nr. 22 (Winter 1984), pp. 97-112.

581) “Carmen Becomes an Opera: Expanding the Original,” Carmen Souvenir Program / Vivian Beaumont Theatre (Winter 1984).

582) “Bayreuth Brouhaha: What Hath Peter Hall and William Dudley Wrought?” Theatre Crafts (Mar 1984), pp. 16-18, 45-46.

583) “Stages in San Diego,” Stages (Mar 1984), p. 26.

584) “Backstage: A Danish Town Tells Its Tale: Edinburgh’s New Festival Director,” Dramatics (Mar 1984), pp. 6-8.

585) “El Teatro Campesino, Dramatics (Apr 1984), pp. 18-21, 36.

586) “Midsummer Night’s ACT: Fairies on Geary Street,” Shakespeare Bulletin (Mar/Apr 1984), pp. 21-22.

587) “Broadway’s Debt To Vienna: The Operetta Spirit Survives in American Musical Comedy,” Vienna Volksoper Souvenir Program (Apr/May 1984), pp. 12-13, 16-17, 20-21.

588) “Music Theatre Notes: Ridiculous To the Sublime And Back Again,” Stages (Apr 1984), pp. 8-10, 12.

589) “Voices of Spring,” Opera News (14 Apr 1984), pp. 8-11.

590) “Outdoor Shakespeare in San Diego,” Shakespeare Bulletin (May/Jun 1984), pp. 20-21.

591) “The Star Chamber: An Elizabethan Quiz Show,” Shakespeare Bulletin (May/Jun 1984), pp. 24-26.

592) “From the Bookshelf: Theatre Management in Great Britain,” Performance Management (May 1984), pp. 8-9.

593) “The English National Opera in the USA,” Theatre Crafts (May 1984), p. 64.

594) “Music Theatre Notes: What Is Art? Don’t Ask!” Stages (May 1984), pp. 10-12, 14.

595) “Great Directors IX: Harry Kupfer: The Dialectical Thinker,” Opera News (May 1984), pp. 30-33.

596) “Professor Extraodinarius: Rolf Liebermann at Salzburg’s Mozarteum,” Opera News (May 1984), pp. 30-33.

597) “Reviews: Nevada City,” Opera News (May 1984), p. 45.

598) “A Salute To Rockefeller Center,” Art Deco Week Program (9 Jun 1984), 7 pp.

599) “By George: Lord Harewood of the English National Opera,” Opera News (Jun 1984), pp. 14-18.

600) “Censorship on Exhibit,” Rights (Aug/Oct 1984), pp. 13-15.

601) “Books: Realizations,” Theatre Crafts (Aug/Sep 1984), p. 134.

602) “Music Theatre Notes: Staging the Text, But Not the Music?” Stages (Aug 1984), pp. 20-22.

603) “Rigoletto / Maggio Musicale,” Performing Arts Journal (#24/Vol. VIII),, pp. 75-77.

604) “Hallie Flanagan’s Vision: An American National Theatre, Born from the Federal Theatre Project,” One-Third of a Nation / Handbook of Source Materials (Brooklyn College, 1984), pp. 9-13.

605) “Ibsen on Stage: A Doll’s House & Nora,” Ibsen News and Comment (No. 5 / 1984), pp. 33-4.

606) “Review: Shakespeare in Sable,” Broadside (Fall 1984), p. 3.

607) “Brash, Bold, Brilliant! Ashland Costumes,” Shakespeare Bulletin (Sep/Oct 1984), pp. 23-25.

608) “Directing Troilus: Conversations with Richard E. T. White,” Shakespeare Bulletin (Sep/Oct 1984), pp. 26-27.

609) “Music Theatre Notes: Fashion: Broadway,” Stages (Sep 1984), pp. 20-22.

610) “Festivals International: Edinburgh – Fests and Flags,” Stages (Oct 1984), pp. 23-24.

611) “Creating an Environment: Pina Bausch Redefines Dance With Peat Moss, Autumn Leaves, Sod, Tables, and Chairs,” Theatre Crafts (Oct 1984), pp. 30-33, 60, 62-65.

612) “Why Marry?” Stages (Nov 1984), pp. 15, 36.

613) “Music Theatre Notes: Beyond Forbiddin Broadway,” Stages (Nov 1984), pp. 16-18.

614) “Pacific Celebrations,” Stages (Nov 1984), pp. 33-34.

615) “Special Report: The Great Transfer Controversy – Gordon Davidson – The Mark Taper,” Theatre Crafts (Nov/Dec 1984), pp. 29, 54 – 57.

616) “Music Theatre Notes: Sondheim’s Company and Others,” Stages (Dec 1984), pp. 20 – 21.

617) “Tennessee Williams: La Catastrofe del Triunfo – Un Artista No Puede Penser en el Retiro,” Teatro Anuario (Mexico, DF, 1984), pp. 223 – 229. (Trans. Laura Gutierrez Franco)

618) “Book Review: Realizations,” Performing Arts Journal (#25 / Vol. IX), pp. 96-98.”

619) “Review: The Theatre Duke,” Broadside (Winter, 1984/85), p. 3.

620) “On the Track of Jack Cole,” Dance Magazine (Jan 1985), pp. 66-67.

621) “Most Theatre Work Is in Musicals,” Dramatics (Jan 1985), pp. 24-27.

622) “Music Theatre Notes: Come Back, Carl Orff,” Stages (Feb 1985), pp. 17-19.

623) “Technique: How To Make It in Musical Theatre, Part One,” Dance Magazine (Feb 1985), p. 76.

624) “Music Theatre Conference a New York First,” Dance Magazine (Feb 1985), p. 5.

625) “Starlight Express: Getting On Track With John Napier and David Hersey,” Theatre Crafts (Feb 1985), pp. 18-21, 58-63.

626) “Music Theatre Notes: Our Singing Past,” Stages (Mar 1985), pp. 17, 18.

627) “Technique: How To Make It in Musical Theatre, Part Two - Where To Study,” Dance Magazine (Mar 1985), p. 91.

628) “Souvenirs: An Eye-Witness Account of the Great Quake,” San Francisco Magazine (Apr 1985), pp. 40-45, 86-87.

629) “Yankee Moliere – New England,” Stages (Apr 1985), p. 6.

630) “Music Theatre Notes: Break a Leg and Other Well-Wishers,” Stages (Apr 1985), pp. 19, 22.

631) “Dressing Shakespeare’s Stage: Designing Woman at Ashland,” Shakespeare Bulletin (May/Jun 1985), pp. 5-7.

632) “Music Theatre Notes: Happy Birthday, Dear Jerome,” Stages (May/Jun 1985), pp. 32-33.

633) “Gwen Verdon: How To Succeed in Musical Comedy,” Dramatics (May 1985), pp. 8-12.

634) “Ashland at Fifty: Shakespeare and After,” Shakespeare Bulletin (Jul/Aug 1985), pp. 15-17.

635) “Review: Golden Fire,” Shakespeare Bulletin (Jul/Aug 1985), p. 19.

636) “Music Theatre Notes: Two Worlds Collide at Spoleto,” Stages (Jul/Aug 1985), pp. 19-20.

637) “Interpreting Swedish Drama,” Supplement (No. 3, 1985), pp. 36-44.

638) “Going Up! Manhattan Building Gets a Lift,” Art Deco Week Program (Sep. 1985), pp. 38-40.

639) “Music Theatre Notes: Ghost-Haunted Festivals,” Stages (Sep 1985), pp. 29-30.

640) “The Fantasy of Mercer Museum,” Travel & Leisure (Oct 1985), pp. w28-31.

641) “Side Show: Sarah Was Divine!” Stages (Oct 1985), p. 3.

642) “Music Theatre Notes: The Ring,” Stages (Oct 1985), pp. 17-18.

643) “I Pick My Dancers as People: Pina Bausch,” On the Next Wave (Oct 1985), pp. 14-19. (BAM Dance Issue)

644) “Crossing Over: Prince Hal,” Opera News (Oct 1985), pp. 50-54.

645) “It’s Just a Theatre, Folks,” Theatre Crafts (Oct 1985), p. 12.

646) “Production Designer Takes on Girl of the Golden West,” Theatre Crafts (Nov 1985), p. 16.

647) “Side Show,” Stages (Nov 1985), p. 3.

648) “Music Theatre Notes,” Stages (Nov 1985), pp. 18-19.

649) “North America & Mexico: Oregon: The South Coast,” Recommend Worldwide (Nov 1985), p. 13.

650) “Move Over, Bach! Shakespeare May Be on His Way To Carmel,” Shakespeare Bulletin (Nov/Dec 1985), pp. 8-10.

651) “Review: Contemporary Theatre,” Broadside (Fall/Winter 1985/86), pp. 4-5.

652) “Paris Postscript: Bernard Lefort,” Opera News (18 Jan 1986), pp. 32-34, 44.

653) “The Ship in the Bottle: William Dudley Builds the Bounty on Stage,” Theatre Crafts (Feb 1986), pp. 33, 100-01.

654) “Reviews: Aarhus/Copenhagen,” Opera News (15 Feb 1986), p. 41.

655) “Denmark: Legoland: Denmark’s Answer To Disneyland,” Recommend Worldwide (Mar 1986), p. 39.

656) “European Music Festivals: A Universal Language: The Lure of Music Festivals,” Recommend Worldwide (Mar 1986), pp. 28-29.

657) “Shakespeare on Canvas,” Dramatics (Mar 1986), p. 6.

658) “Music Theatre Notes: Last Hurrahs of 1985,” Stages (Mar 1986), pp. 20-21.

659) “Events: Tuning Up for America’s Summer Music Festivals,” Recommend Worldwide (Apr 1986), pp. 80-81.

660) “Tracking a Wardrobe: Costume Management at Ashland,” Theatre Crafts (Apr 1986), pp. 32-33, 57-67.

661) “The Silk Shoe: Salzburg,” Theatre Crafts (Apr 1986), p. 6.

662) “On Stage in Stockholm,” Cultural Life in Sweden (Apr 1986), pp. 1-6.

663) “Music Theatre Notes,” Stages (Apr 1986), pp. 20-21.

664) “Canada: EXPO ’86’s World Festival,” Recommend Worldwide (May 1986), p. 11.

665) “Music Theatre Notes,” Stages (May 1986), pp. 22-23.

666) “Music Theatre Notes: From Frenetic to Kinetic,” Stages (Jun/Jul 1986), pp. 22-23.

667) “Magyar Shakespeare: Serving Up the Playwright With a Dash of Paprika,” Shakespeare Bulletin (Jul/Aug 1986), pp.19-21.

668) “Talking to Carlos Gimenez, Creator of the Rajatabla in Caracas,” New Theatre Quarterly (Aug 1986), pp. 243-49.

669) “Danes on the Pacific Shore,” Antiques West (Sep 1986), p. 6.

670) “Costume Cut-Up Capers,” Dance Attitudes (Sep/Nov 1986), pp. 11-15.

671) “Music Theatre Notes: Charleston – 10, Menotti – 75,” Stages (Oct 1986), pp. 21-23.

672) “Pops,” Stages (Nov 1986), p. 22.

673) “Budapest,” Stages (Nov 1986), p. 31.

674) “Review: The West End,” Theatre Studies, No. 3l/32 (1984-85/1985-86), pp. 109-10.

675) “Arbit Blatas and The Threepenny Opera,”Gestus (Spring 1986), pp. 59-62.

676) “To Porky from Brecht,” Gestus (Summer 1986), p. 137.

677) “Swan’s Way – On the Avon: Some Notes on the RSC’s New Theatre,” Shakespeare Bulletin (Nov/Dec 1986), pp. 15-17. (Cover.)

678) “Reviews: America’s Musical Stage; Elizabethan Stage Conventions,” Broadside (1986/87), pp. 2-3.

679) “L’Accent Francaise at City Opera,” Stages (Jan 1987), pp. 23-24.

680) “The European Culture Scene,” Recommend (Feb 1987), p. 24-27.

681) “The British Are Coming! The British Are Coming!” Dramatics (Mar 1987), pp. l6-19, 42-43.

682) “From Dream into Reality: Sam Wanamaker’s Third Globe,” Shakespeare Bulletin (Mar/Apr 1987), pp. 5-8.

683) “An Operaphile’s Baedecker: Aarhus, Denmark,” Opera News (May 1987), p. 36.

684) “Reviews: Cash In; Ten Seasons; Comedy from Shakespeare To Sheridan; Shakespeare and the Victorian Stage” Broadside (Spring/Summer 1987), pp. 2-3.

685) “Pure and Simple: Goran Jaervefelt,” Opera News (Jun 1987), pp. 18-20, 22.

686) “Polish Theatre,” Stages (Jul/Aug 1987), pp. 6, 41.

687) “Animating Images: Puppets in Warsaw,” A Props (Fall 1987), pp. 3-7.

688) “Framed Italian Marionettes Make a Come-Back,” A Props (Fall 1987), pp. 16-18, 37.

689) “Reviews: New York: Vineyard Opera,” Opera Neva (Sep 1987), p. 56.

690) “Rebuilding Shakespeare’s Globe,” Dramatics (Sep 1987), pp. 6-8, 10.

691) “Reviving the Dinosaur: Yuri Lyubimov,” Opera News (Nov 1987), pp. 34-36.

692) “East German Theatre,” Stages (Nov 1987), pp. 13-14.

693) “Corridos! Ken Short Puts a Revolution on a Soundstage,” Theatre Crafts (Oct 1987), pp. 85-88.

694) “Oregon Shakespearean Festival: Pushing the Borders – Artistic Director Jerry Turner,” Shakespeare Bulletin (Nov 1987/Feb 1988), pp. 12-14.

695) “Polished Polish Performances,” Soviet & East-European Drama, Theatre, and Film (Dec 1987), Vol. 7/Nos. 2 & 3, pp. 54-6l.

696) “Germany’s Minimalist Traviata.” Theatre Crafts (Dec 1987), p. 16.

697) “Into the Dragon’s Mouth,” Theatre Crafts (Dec 1987), pp. 18-19.

698) “Europe 1988 - Cities of Spring: Berlin,” Recommend (Dec 1987), pp. 18-19.

699) “To Porky from Brecht,” Gestus (Winter 1987), pp. 277-281. (Extended V.)

700) “Threepenny Opera: Olivier Theatre, London,” Gestus (Winter 1987), pp. 337-338.

701) “The Rains Came,” Theatre Crafts (Jan 1988), p. 14.

702) “Peter Brook’s ‘Poetical History of Mankind’,” Dramatics (Jan 1988), pp. 7-11.

703) “Fiesko No Fiasco,” Theatre Crafts (Feb 1988), p. 8.

704) “NY, NY: Glenn Loney on New York Theatre – Fabulous Invalid Hangs On,” Dramatics (Mar 1988), pp. 11-12, 40-41.

705) “Wanamaker’s Globe: After Nearly 20 Years, a Dream Comes True,” Stages (Mar 1988), pp. 4-6.

706) “Review: Mahabharata & The Shifting Point,” Broadside (Fall/Winter 1987/88), pp. 4-5.

707) “London Theatre Survey,” Stages (Apr 1988), pp. 8-9.

708) “Adventures in Erfurt,” A Propos (Spring 1988), pp. 5-9, 35-36.

709) “The Ride of the Rigid Steeds: Seattle Ring Puppetry,” A Propos (Spring 1988), pp. 14-15, 38.

710) “Myth & Music: Resonances Across the Centuries,” Yale/Theatre (Spring 1988), pp. 21-27.

711) “Hollywood and History,” Theatre Grafts (Apr 1988), p. 16.

712) “NY, NY: A Visit from Iceland and a Trip West,” Dramatics (Apr 1988), pp. 12-15.

713) “A Survivor in Warsaw: The Grand, Enduring Wielki,” Opera News (May 1988), pp. 18-22.

714) “Pannier Panache,” Theatre Crafts (May 1988), p. 18.

715) “Paying the Price of Production: Canada’s Stratford Festival,” Shakespeare Bulletin (May/Jun 1988), pp. 12-13.

716) “Manny Azenberg: His Dream: To Leave It Better Than He Found It,” Drama Desk News (Summer 1988), pp. 3-4.

717) “Altered States: Warsaw Ballet,” Dance/Attitude (Summer/Fall 1988), p. 32.

718) “Houston Horizons: Art Among the Tall Towers,” Stages (Jun/Jul 1988), pp. 8-9.

719) “Roundup: Berlin’s Year,” Recommend (Aug 1988), p. 36.

720) “Polish Theatre Survey,” Stages (Aug/Sep 1988), pp. 16-17.

721) “Spoils of Spoleto,” Stages (Aug/Sep 1988), p. 10.

722) “Festivals,” Theatre Crafts (Aug/Sep 1988), pp. 24-25.

723) “Dresden Figures That Move,” A Propos (Fall 1988), pp. 3-5, 30.

724) “Europe’s Cultural Events: Highlights of a Stellar Season,” Recommend Worldwide (Oct 1988), pp. 28-34.

725) “Designers on Design: Desmond Heeley,” Theatre Crafts (Oct 1988), pp. 58-65, 84-85.

726) “Portfolio: Gates of Paradise,” Theatre Crafts (Nov 1988), p. 23.

727) “Journal: On the Fringes – Edinburgh,” Dramatics (Nov 1988), pp. 7-9.

728) “Review: Living Pictures on the New York Stage,” Theatre Studies (Winter 1988), pp. 107-109.

729) “Warsaw Wonders,” LOT Kaleidoscope (3-38, 1988), pp. 1-4.

730) “Cowboy from Edinburgh,” America in Britain, Vol. XXVl/3 (1988), pp. 13-20.

731) “Shakespeare Theatres – Ashland and London,” Shakespeare Bulletin (Sep/Oct-Nov/Dec 1988), pp. 27-29.

732) “Entertaining Mr. Loney: An Early Interview with Joe Orton,” New Theatre Quarterly (Nov 1988), pp. 300-305.

733) “International: Edinburgh Festival & Fringe,” Stages (Nov 1988), pp. 16-17.

734) “Music Theatre,” Opera News (10 Dec 1988), pp. 60-6l.

735) “Polish Theatre, 1988,” Soviet and East-European Drama, Theatre and Film (Dec 1988), pp. 39-45.

736) “Designers on Design: Peter Larkin - Creating Settings for Stage and Film,” Theatre Crafts (Jan 1989), pp. 38-45, 56-64.

737) “A Conversation with Hal Prince,” Dramatics (Jan 1989), pp. 18-23.

738) “A New Ring at Bayreuth,” CUE International (Jan/Feb 1989), pp. 10-16.

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789) “Review: The Tempest – Edinburgh,” Shakespeare Bulletin (Jan/Feb 1989), pp. 6-7.

790) “Serious Drama on Broadway,” Drama Desk News (Mid-Season 1988-89), p, 4.

791) “Europe and the Mediterranean: Europe ’89 – A Summer of Culture,” Recommend Worldwide (Mar 1989), pp. 25-31.

792) “Charleston,” Recommend (Mar 1989), pp. 9-10. (Photos!)

793) “Festival Fevers,” Stages (Mar 1989), pp. 45-47.

794) “Setting Shakespeare To Music: Or Vice-Versa – and Dancing the Texts,” Shakespeare Bulletin (Mar/Apr 1989), pp. 14-16.

795) “Tom Skelton: Designers on Design,” Theatre Crafts (Apr 1989), pp. 44-51, 67-78.

796) “Puppets on Parade: 130 Years of Munich Marionettes,” A Propos (Spring 1989), pp. 16-19.

797) “Wolfgang Sawallisch,” Musical American (May 1989), pp. 19-23.

798) “The Sleeping Prince,” Opera News (May 1989), pp. 14-19.

799) “Serious Comedy: Jim Dale Works Wonders at Being Funny,” Dramatics (May 1989), pp. 12-15.

800) “Lohengrin at Bayreuth,” Restoring Munich’s Prince-Regent Theatre,” CUE International (May/Jun 1989), pp. 44-45.

801) “Review: Complete Phantom of the Opera,” Broadside (Spring/Summer 1989), p. 4.

802) “In Search of Craig in Search of …” The Applause Theatre Book Review (1989-1990), pp. 142-143.

803) “Ring Cycle Premieres in Warsaw,” CUE International (Jul/Aug), p. 40.

804) “Reviews: Warsaw,” Opera News (Aug 1989), pp. 42-43.

805) “Warsaw Wanderings: Theatres from Studios To Palaces, A Journey to Paradise,” CUE International (Sep/Oct 1989), pp. 20-25, 44.

806) “Valhalla Is Kaput! The New Ring at Bayreuth,” Western European Stages (Fall 1989), pp. 9-16.

807) “Walk in the USSR,” Dramatics (Nov 1989), pp. 40-41.

808) “Poland Takes Its Wagner Straight,” Musical America (Nov 1989), pp, 30-32.

809) “The American Actor Prepares: Scene-Study for Oblivion?” New Theatre Quarterly, V/20 (Nov 1989), pp. 315-320.

810) “Secrets of the Russian Ballet,” American Dance (Dec 1989), pp. 10-11.

811) “A Century Dances,” Stages (Dec 1989), p. 9.

812) “Family Album & All Nakedness Will Be Punished,” Stages (Dec 1989), p. 17.

813) “Opera: Il Ritorno d’Ulisse in Patria,” Stages (Dec 1989), p. 25.

814) “Review: Musicals No One Came To See,” Broadside (Winter 89/Spring 90), p. 7.

815) “The Three Baltic Sisters: Living Drama,” Theatre Week (8 Jan 1990), pp. 26-31.

816) “Shakespeare’s First Stage: Unearthing the Rose,” Dramatics (Jan 1990), pp. 6-7.

817) “Joachim Herz: No New Enigmas!” Opera Monthly (Feb 1990), pp. 14-27.

818) “Elsa in Auschwitz: Director Warner Herzog Wants No Opera Scandals,” Opera Monthly (Mar 1990), pp. 18-27.

819) “Frozen Doom: Schavernoch & Haas Turn the Met Opera into a Frozen Seascape,” Cue International (Mar/Apr 1990), p. 29.

820) “Journal of the Quake: A British Doctor Writes Home,” America in Britain,” XXVIII/2 (1990), pp. 9-17.

821) “Elsa in Auschwitz: Werner Herzog at Bayreuth,” Western European Theatre (Spring 1990), pp. 19-24.

822) “Deco in Riga,” A Propos (Spring 1990), pp. 4-7.

823) “Puppet Cinema in Vilnius,” A Propos (Spring 1990), pp. 8-9.

824) “Puppetry in Vilnius Today,” A Propos (Spring 1990), pp. 10-13, 34.

825) “Groundbreaking Puppet Fest in San Francisco,” A Propos (Spring 1990), p. 48.

826) “Regarding Recordings: Anything Goes & Night and Day,” Newsletter: Institute for Studies in American Music (May 1990), p. 10.

827) “Is Business Really Boffo? Factors in the Broadway Equation,” New Theatre Quarterly, VI/22 (May 1990), pp. 107-118.

828) “Valhalla Is Kaput,” Opera Monthly (Jun 1990), pp. 10-18.

829) “Polish National Opera,” Opera Monthly (Jul 1990), pp. 14-27.

830) “Harold Prince: From Phantom to Faust,” Opera Monthly (Aug 1990), pp. 13-17.

831) “Three from the Baltic Republics,” Soviet & East European Performance (Fall 1990), pp. 58-60.

832) “Opera Europe: The Seasons at Bayreuth and Bregenz,” Opera Monthly (Oct 1990), pp. 18-28.

833) “Streetwise Art: Designstyle – Pal Oleszko,” Theatre Crafts (Oct 1990), p. 32.

834) “Artisans: Folkloria: Can Traditional Lithuanian Stage-Design Survive?” Cue International/Theatre Crafts (Oct 1990), pp. 28-29.

835) “Exploring Eastward: Budapest &.Warsaw,” Recommend (Nov 1990), pp. 22-23, 35.

836) “Opera Europe: Festival of Favorite Sons: Munich Opera,” Opera Monthly (Nov 1990), pp. 24-30.

837) “Reconstructing Shakespeare’s Globe: The University of Georgia Conference,” Shakespeare Bulletin (Winter 1990), pp. 15-17.

838) “Words with Wanamaker,” Shakespeare Bulletin (Winter 1990), pp. 18-19.

839) “Proposals for Bankside Power Station,” Shakespeare Bulletin (Winter 1990), pp. 20-22.

840) “Salzburg: Mozart’s Revenge,” Opera Monthly (Jan 1991), pp. 14-27.

841) “Everything Comes From the Music: Pet Halmen,” Cue International/Theatre Crafts (Jan 1991), pp. 16-19.

842) “From Apprentice To Sorcerer: Designer-Director Pet Halmen,” Opera Monthly (Feb 1991), pp. 20-31.

843) “European Culture? Alive With Mozart,” Recommend (Mar 1991), pp. 18-21. Also: Cover Photo: Semper Opera & State-church by Night.

844) “Poel’s Passion Transplanted,” A Garland for the Harrow Globe: 1941 – 1991 (Apr 1991), pp. 9-13.

845) “Humpty Thespis Sat on a Wall: A Great Fall for East German Theatres?” Western European Stages (Spring 1991), pp. 60-68.

846) “Not Robots, But Humans: Otello Sarzi’s Burattini,” A Propos (Spring 1991), pp. 4-8.

847) “Off With Their Heads: Shows of the Schichtl Dynasty,” A Propos (Spring 1991), pp. 9-10, 13.

848) “Festival Futures: Condemned To Repeat the Past,” Opera Monthly (Jul 1991), pp. 13-19.

849) “Mostly Miller, Some Mozart,” Opera Monthly (Jul 199l), pp. 20-25.

850) “Mozartiana at the Morgan,” Opera Monthly (Jul 1991), p. 22.

851) “Making Visits,” Theatre Crafts (Aug/Sep 1991), p. 31.

852) “An ______________ Anniversary: Menotti the Magnificent,” Opera Monthly (Aug 1991), pp. 12-15.

853) “_________________, 1634-1990: the Play and the ________ : Tradition, Performance, and Controversy,” New Theatre Quarterly (Aug 1991), VII, 27, pp. 203-216.

854) “Book Review: History of Hispanic Theatre in US,” Broadside (Summer/Fall 1991), p. 3.

855) “Like father, like son: The Burattini of Dinno Menozzi,” A Propos (Fall 1991), pp. 4-8.

856) “Francesco Cristofoli’s Opera Obsession,” Opera Monthly (Sep 1991), pp. 14-19.

857) “P.C. or Not P.C.? That’s the Question of the Oregon Shakespeare Festival,” Theatre Week (2-8 Sep 1991), pp. 28-31.

858) “Mausouri and Mozart Mania: San Francisco _____ Act in Concert,” Opera Monthly (Oct 1991), pp. 16-23.

859) “Voices from the Past: On the Nevada Trail: Can a young god from a little _______ camp _________ happiness as a star of the ____ opera?” Opera Monthly (Dec 1991), pp. 30-35.

860) “The Rams Came: Some Words with Santa Fé’s General Director, _____ Crosby,” Opera Monthly (Jan 1992), pp. 12-16.

861) “They Know the Way in Santa Fé,” Opera Monthly (Jan 1992), pp. 17-21.

862) “Opera Review: _________ at the Met: Belasco Rides Again!” Opera Monthly (Jan 1992), p. 35.

863) “Surgery for _______ Stages? Proposals for Berlin Theatres,” Western European Stages (Spring 1992), pp. 4-8.

864) “From the Gate for the Court: The Rise of Stephen Duldry,” WES (Spring 1992), pp. 57-59.

865) “Elegy for a Bucchic Roke: Arden & Kallman,” Opera Monthly (Mar 1992), pp. 10-16.

866) “_______________ : on the European Stage,” Recommend (Mar 1992), pp. 22-23.

867) “Two nights at the Royal Opera: Experiments vs. Tradition,” Opera Monthly (Apr 1992), pp. 14-21.

868) “Jeremy Isaacs ______ Television Expertise to the Royal Opera,” Opera Monthly (Apr 1992), pp. 22-25.

869) “Tony Times & Beyond: New York’s Theatre of Desperation,” NTQ (May 1992), pp. 146-158.

870) “A New State for _______,” Opera Monthly (May 1992), pp. 17-19.

871) “Opera Portfolio: Stravinsky & Henze,” Opera Monthly (May 1992), pp. 20-22.

872) “Capitalism Is Killing Socialist Theatres,” New York Newsday (20 May 1992), p. 91.

873) “Making Marvelous Music – Theatre / The Specialty of the Welsh National Opera,” Opera Monthly (Jun 1992), pp. 13-18.

874) “The Globe Bardwagon Effect: Sam Wane Makes Plans Ahead,” Shakespeare Bulletin (Summer 1992), pp. 11-13.

875) “Munich Opera Forced to Close,” Theatre Crafts International (Aug-Sep 1992), p. 17.

876) “Free Market for the Berliner Ensemble,” Western European Stages (Fall 1992), p. 22.

877) “RSC’s Adrian Noble Stages The Thebaus,” WES (Fall 1992), pp. 61-63.

878) “Tales from the Vienna Operas. Two Houses are Better Than One,” Opera Monthly (Sep 1992), pp. 12-21.

879) “Rossini By The Bay,” Opera Monthly (Sep 1992), pp. 33-34.

880) “Ashland: The Most Successful Shakespeare Festival in the US,” Theatre Week (Oct 5-11, 1992), p. 28.

881) “Theatre of Pre-Depression: Economics & Apathy in New York,” New Theatre Quarterly (Nov 1992), pp. 313-320.

882) “The Salzburg Festival,” Theatre Crafts International (Jan 1993), p. 25.

883) Berlin Report: The Culture Senator: Which Roloff-Momin,” Theatre Crafts International (Feb 1993), p. 19.

884) “Theatre / Scenery: Elizabeth: a Viennese Musical about the Life and Death of an Empress,” TCT (Feb 1993), pp. 42-43.

885) “The Old Team Departs END,” Opera Monthly (Feb 1993), pp. 7-11.

886) “Two Flying Dutchman,” Opera Monthly (Feb 1993), p. 20-23.

887) “Another Closing of Another Show,” New Theatre Quarterly (Feb 1993), pp. 90-95.

888) “Columbus Discovers _______ : Dinno Menozzi and his ‘Feste di Legno,’” A Propos (Spring 1993), pp. 6-7.

889) “Peter Stein at Salzburg: In Max Reinhardt’s footsteps,” Western European Stages (Spring 1993), pp. 8-12, 72.

890) “Theatre Leaders in Vienna Discuss the ______,” ____________ (Spring 1993), pp. 13-18.

891) “Leave When You’re Getting Comfortable: Peter _______ Departs London for Munich,” Opera Monthly (Mar 1993), pp. 9-12.

892) “The Team Makes Music Theatre: Kupfer, _____, and Heinrich give the Opera Stage a New Look,” Opera Monthly (Mar 1993), pp. 20-24.

893) “________ Calendar: Exploring Europe in Transition,” Recommend (Mar 1993), pp. 44-48.

894) “Otto Wagner’s Church “____ Steinhof,” Austria Kultur (Mar-Apr 1993), p. 11.

895) “Shakespeare Festivals in New ______,” NTQ (May 1993), pp. 192-195.

896) “Opera in ___-Town,” Opera Monthly (May-Jun 1993), pp. 21-29.

897) “2x Carmen – the Two-Timer,” Opera Monthly (May-Jun 1993), pp. 30-33.

898) “_______ Roloff-Momm on the ____ - Berlin,” Western European Stages (Fall 1993), pp. 35-38.

899) “Greek Productions in Germany,” Western European Stages (Fall 1993), pp. 44-48.

900) “Victory Over the Virus: Munich Festival on Schedule,” Opera Monthly (Sep-Oct 1993), pp. 10-13.

901) “This Season in Salzburg,” Opera Monthly (Sep-Oct 1993), pp. 17-20.

902) “At Bayreuth: A New ___________________,” Opera Monthly (Sep – Oct 1993), pp. 21-23.

903) “Theatre Leaders in Vienna Discuss the _______,” Austria Kultur (Sep-Oct 1993), pp. 13-15.

904) “Small Town, Big Theatre: Shakespeare Refuses to Grow Old Gracefully on Historic Oregon Stage,” Dramatics (Sep 1993), pp. 6-8.

905) “Whatever Lola Wants,” “Balancing Act,” “King of the Gypsies,” Theatre Craft International (Nov 1993), p. 18.

906) “Playwrights at the Met,” New Theatre Quarterly (Nov 1993), pp. 392-4.

907) “Glenn Loney’s Europe: A Tour of Operas & Opera Houses Across the Continent,” Opera Monthly (Jan-Feb 1994), pp. 11-26.

1. Fighting ////// Recession & the Philistines

2. The Big B’s: Bregenz: Nabucco- Hitler / Hussein? Bayreuth Cubism: ____ ____ Tristan.

3. Munich in Transition: Virus is Gone – Fire Breaks Out.

4. In Salzburg Shadows: Intrigues on & off Stage.

5. /////// Opera at 250.

6. Visiting Historic Opera Houses: ____________.

908) “The French Invasion of San Francisco: Opera’s 70th Fall Season,” Opera Monthly (Jan-Feb 1994), pp. 27-28.

909) “Gay Plays, Straight Plays,” NTQ (Feb 1994) x, 37, pp. 89-98.

910) “Drama Directors on Bayreuth’s Opera Stage,” Western European Stages (Spring 1994), pp. 67-70.

911) “Nabucco: “Stefanos Lazaridis’ Spectacular, Provocative Vision of Verdi’s Opera,” Theatre Crafts International (Mar 1914), pp. 40-41.

912) “Bakely Reps The ////// ////////,” Theatre Week (25 July 1994), p. 24.

913) “Letter From Ashland: The Battle for Freedom of Artistic Expression,” Theatre Week (25 July 1994), pp. 28-29.

914) “Carl Orff’s Other _____: Beyond Carmina Burana,” Opera Monthly (Jul-Aug 1994), pp. 8-15.

915) “Notes from the Edinburgh Festival,” Theatre Week (14 Nov 1994), pp. 28-29.

916) “Salzburg Festival,” Theatre Crafts International (Jan 1995), p. 8.

917) “Edinburgh Festival,” Theatre Crafts International (Jan 1995), p. 9.

918) “At Home With Carl Orff,” The Orff Echo (Winter 1995), pp. 5-9.

919) “___ Bondy on Directing," Western European Stages (Winter 1995), pp. 53-58.

920) “A ___ of Unusual German Theatres: Berlin, Nuremberg, Munich,” Western European Stages (Winter 1995), pp. 59-62.

921) “________ Music / Theatre Festivals Auf Deutsch,” Western European Stages (Winter 1995), pp. 109-118.

922) “Alfred ______ Ring _____ Bayreuth,” Western European Stages (Winter 1995), pp. 119-124.

923) “Survival Strategies in New York Theatres,” NTQ (Feb 1995), pp. 79-90.

924) “Going Modern in Munich,” Theatre Crafts International (Feb 1995), p. 8.

925) “Going Musical in Munich,” Theatre Crafts International (Feb 1995), p. 8.

926) “______ ______,” Theatre Crafts International (Feb 1995), pp. 10-11.

927) “Peter Stein on His Oresteia,” Western European Stages (Spring 1995), pp. 13-20.

928) “Patrick Mason ____ Will of the Saints to Edinburgh,” Western European Stages (Spring 1995), pp. 71-77.

929) “The Out of Star Wars – Also the ____,” Theatre Crafts International (Mar 1995), pp. 7-8.

930) “Sly and Dream,” Theatre Crafts International (Mar 1995), p. 9.

931) “From Star Wars to Indiana Jones: Review,” Theatre Crafts International (Mar 1995), pp. 58-59.

932) “Rosalie and the Ring,” Theatre Crafts International (Aug/Sep 1995), pp. 46-49.

933) “Festival Report: Edinburgh Adventures,” Theatre Crafts (Jan 1996), p. 18.

934) “Munich Festival Modernism,” Theatre Crafts, (Jan 1996), pp. 19-20.

935) “Orff at 100,” Theatre Crafts (Feb 1996), pp. 12-13.

936) “Copenhagen: Europe’s Culture City 1996,” Theatre Crafts (Feb 1996), p. 15.

937) “NUMT on Tour,” Theatre Crafts (Feb 1996), pp. 18-19.

938) “Copenhagen as Europe’s 1996 Culture Capital,” Western European Stages (Spring 1996), pp. 59-62.

939) “Freedom: From Fidelio to Porgy in Bregenz,” Western European Stages (Spring 1996), pp. 81-86.

940) “Unfaithful Fidelio? Theatre Crafts (May 1996), pp. 31-32.

941) “Dance Dominates Edinburgh Festival,” Western European Stages (Fall 1996), pp. 59-64.

942) “One Week of Copenhagen’s Culture Year,” Western European Stages (Fall 1996), pp. 73-76.

943) “Valhalla on a Budget,” Lighting Dimensions (Sep 1996), p. 27.

944) “Southwest Salvation,” Theatre Crafts International (Dec 1996), pp. 14-17.

945) “In Munich, Tree Huggings & Alien Abductions,” Theatre Crafts International (Feb 1997), pp. 12-13.

946) “Copenhagen Culture,” Theatre Crafts International (Feb 1997), pp. 13-14.

947) “Edinburgh Dances,” Theatre Crafts International (Feb 1997), p. 15.

948) “Camelot in Bregenz,” Theatre Crafts International (Feb 1997), p. 15-16.

949) “Meister of His Own Domain,” Theatre Crafts International (Feb 1997), pp. 16-17.

950) “Journeys To The West: Discovering _____________,” The Main Central (Spring 1997), # 16, pp. 8-9.

951) “Varna: Festival on the Balck Sea,” Slavic & East European Performance (Fall 1997), pp.

952) “Festival & _______ in Edinburgh,” Western European Stages pp. 27-36.

953) “________________ take Constance,” Western European Stages pp. 73-78.

954) “Airport Dreams,” Theatre Crafts International (Oct 1997), pp. 14-15.

955) “On the Road With Progy & Ben,” Theatre Crafts International (Oct 1997), pp. 6-7.

956) “Eye Popping Popper,” Theatre Crafts (Nov 1997), pp. 13-14.

957) “Macbeth Makes News,” Theatre Crafts (Nov 1997), pp. 17-18.

958) “Idomeneo Gift-Box,” Theatre Crafts (Nov 1997), pp. 19-20.

959) “Festival Season In Munich,” Western European Stages (Spring 1998), pp. 25-40.

960) “The Stone Age Is Over: Peter Stein Stages His Last Salzburg Shows,” Western European Stages (Spring 1998), pp. 65-76.

961) “_____________________ at 1998 Bregenz Festival,” Western European Stages (Fall 1998), pp. 67-70.

962) “Edinburgh’s _________ Theatre First Stop on 1998 Festival ______,” Western European Stages (Fall 1998), pp. 83-88.

963) “Dangerous Women,” Theatre Crafts International (Oct 1998), pp. 10-12.

964) “The Way We Wernicke,” Theatre Crafts International (Nov 1998), pp. 12-14.

965) “The 1998 Munich Festival,” Western European Stages (Spring 1999) Vol. 77 No. 2, pp. 55-64.

966) “Post-Modernist Salzburg Festival,” Western European Stages (Spring 1999) Vol. 77 No. 2, pp. 77-84.

967) “Fall Festivals in Ireland,” Western European Stages (Spring 1999), Vol. 77 No. 2, pp. 111-122.

968) “Performing Arts on Parade: Edinburgh Festival 1999,” Western European Stages (Fall 1999), pp. 23-34.

969) “_______ Major Summer Festivals: Salzburg & Bregenz,” pp. 61-74, 136.

970) “_______ up at Bregenz,” Entertainment Design (Nov 1999), pp. 12-14.

971) “The Magic _______,” Entertainment Design (Feb 2000), pp. 8-10. (Salz/___)

972) “Bregenz Passion,” Entertainment Design (Feb 2000), pp. 10-11.

973) “Designer Sketchbook: Bayreuth _______________________,” Entertainment Design (Feb 2000), p. 58.

974) “Holiday in Paris,” Western European Stages (Spring 2000), pp. 13-18.

975) “Berlin Musical Theatre,” Western European Stages (Spring 2000), pp. 59-62.

976) “Irish Festivals, 1999,” Western European Stages (Winter 2000), pp. 63-69.

977) “Festivals for the Millennium,” Western European Stages (Fall 2000), pp. 4-18.

978) “Musical Munich / Dramatic Munich,” Western European Stages (Fall 2000), pp. 31-38.

979) “Millennial Edinburgh Festival,” Western European Stages (Fall 2000), pp. 57-60.

980) “How Now, _________?” Entertainment Design (Nov 2000), pp. 22-4.

981) “Munich Gets a Handel on Two Baroque Operas,” Entertainment Design (Jan 2001), pp. 12-14.

982) “Forggen Conclusion: A New Theatre Purpose Built for Ludwig in the Bavarian Alps,” Entertainment Design (Jan 2001), pp. 24-25.

983) “Captains of Industry: Erich Wonder’s Postmodern Capitalism for Bayreuth’s Ring Cycle,” Entertainment Design (Feb 2001), pp. 29-32.

984) “___________ Music Theatre Stagings in Selected Central European Festivals,” Western European Stages (Fall 2001), pp. 31-42.

985) “The Edinburgh Festival,” Western European Stages (Fall 2001), pp. 47-52.

986) “Invisible College: Salt of the Earth,” Entertainment Design (Mar 2002), pp. 8-9.

987) “Festival Productions in Central Europe 2002,” Western European Stages (Fall 2002), pp. 41-56.

988) “Edinburgh Festival & _____,” Western European Stages (Fall 2002), pp. 79-90.

989) “Showcase Edinburgh,” Western European Stages (Winter 2002), pp. 5-8.

990) “EU Prod Xchanges: /////////,” Western European Stages (Winter 2002), pp. 9-16.

991) “Queen of Spades East & West, Western European Stages (Winter 2002), pp. 47-48.

992) “The Edinburgh Festival,” Western European Stages (Fall 2003), pp. 17-20.

993) “German Festival Report: Munich and Bayreuth,” Western European Stages (Fall 2003), pp. 39-48.

994) “Austrian Festival Report: Salzburg and Bregenz,” Western European Stages (Fall 2003), pp. 55-64.

995) “Munich Festival 2004: New Music Theatre ______,” Western European Stages (Fall 2004), pp. 25-32.

996) “Edinburgh Festival 2004: Cutting Edges & Dull Blade,” Western European Stages (Fall 2004), pp. 65-70.

997) “Bregenz Festival 2004: Kurt Weill & David _______,” Western European Stages (Fall 2004), pp. 85-88.

998) “Salzburg Festival 2004: Cutting Edge Productions,” Western European Stages (Winter 2005), pp. 57-70.

999) “The New New Bayreuth: Is This Really Necessary,” Western European Stages (Winter 2005), p. 83-90.

1000) “Salzburg Festival 2004: Cutting Edge Productions,” Western European Stages (Winter 2005), pp. 57-70.

1001) “Harold Pinter and Luca Ronconi in Turin,” Western European Stages (Spring 2006), pp. 5-10.

NEWSPAPER CRITICISM, INTERVIEWS, AND REPORTAGE:

1) “Postwar Film Tastes in West Germany,” Christian Science Monitor (Apr 29, 1958), p. 4, cols. 3-5.

2) “U. S. Movie-goer in Germany,” CS Monitor (Aug 12, 1958), p. 4 cols. 1-3.

3) “Satire in German Film,” CS Monitor (Feb 3, 1959), p. 4, col. 6.

4) “Theatres Booming in Prague,” CS Monitor (Jun 6, 1959), p. 6, cols. 1-3.

5) “Yugoslav City Stages Big Festival,” CS Monitor (Jul 3, 1959), p. 7, cols. 5-8.

6) “A Sitz-Marathon Drama of Politics,” CS Monitor (Sep 12, 1959), p. 4, cols. 3-5.

7) “Orff’s ‘Trionfi’ in Munich,” CS Monitor (Oct 24, 1959), p. 4, cols. 7-8.

8) “The ‘Panto’ Reigns in England,” The New York Herald-Tribune (Dec 27, 1959), Sec. IV, p. 3, cols. l-3.

9) “TV-West Germany: Germans Get More Than Kultur Films,” CS Monitor (Jan 12, 1960), p. 4, cols. 4-6.

10) “Solti’s Frankfurt Successes,” CS Monitor (Jul 30, 1960), p. 4, cols. 7-8.

11) “Drama Finds a Stage in Ruined Abbey,” CS Monitor (Aug 13, 1960), p. 16, cols. 2-4.

12) “Germans Gasping at Anti-Nazi Films,” The New York Herald-Tribune (Sep 4, 1960), Sec. IV, p. 3, cols. 1-2.

13) “Panoramic Religious Drama Unfolds in Oberammergau,” CS Monitor (Sep 17, 1960), p. 6, cols. 1-6.

14) “The Gamut of German Art,” CS Monitor (Jan 28, 1961), p. 4, cols. 7-8.

15) “Finland’s Theatre Remains Versatile and Vital,” CS Monitor (Mar 18, 1961), p. 8, cols. 3-6.

16) “Awards for Plays From Africa,” CS Monitor (May 13, 1961), p. 10, col. 7.

17) “An Acting Career in Europe,” CS Monitor (Jun 20, 1961), p. 13, cols. 1-3.

18) “Sophocles Supreme at Epidaurus,” CS Monitor (Jul 22, 1961), p. 6, cols. 3-6.

19) “Hellenistic Days Linger in Town of Amphiarion,” CS Monitor (Sep 5, 196l), p. 7, cols. 5-8.

20) “Authentic Tragedies in Greece,” The New York Times (Oct 22, 1961), Drama Section, p. 4X, cols. 3-6.

21) “Women Today: Seeks Ancient Music,” CS Monitor (Jan 5, 1962), p. 6, cols. 1-3.

22) “Singing the Glories of Athena,” CS Monitor (Jan 13, 1962), p. 6, cols. 6-8.

23) “On Bay-Area Boards,” CS Monitor (Mar 31, 1962), p. 12, cols. 2-3.

24) “Theatre-Training: An American View,” CS Monitor (May 2, 1962), p. 6, cols. 2-5.

25) “Medieval Wedding Re-Enacted,” CS Monitor (Jun 6, 1962), p. 19, cols, 1-3.

26) “Pilgrimage to Epidaurus,” CS Monitor (Jul 6, 1962), “Zee Page,” p. 9, cols. 3-8.

27) “Variety and Vitality in Stockholm,” CS Monitor (Sep 1, 1962), p. 6, cols. 6-8.

28) “Picaresque Morality,” CS Monitor (Oct 6, 1962), p. 10, cols. 2-4.

29) “Community Theatres for Children: Sweden,” CS Monitor (Oct 20, 1962), p. 7, cols. 7-8.

30) “Changing Patterns in Moviemaking: Sweden Accents Universal Themes,” CS Monitor (Dec 12, 1962), p. 10, cols. 3-8.

31) “In Sweden, All That Glitters Is Not Bergman – A Peek at Possible Exports,” CS Monitor (Jan 16, 1963), p. 8, cols. 3-6.

32) “Swedish-American Exchange,” CS Monitor (Jan 19, 1963), p. 10, col.

33) “York’s Aura Glows Over Festival,” CS Monitor (Jul 24, 1965), p. 4, cols. 1-4.

34) “Sweden Tastes Clauson Potpourri,” CS Monitor (Aug 5, 1963), p. 10, col. 4.

35) “Hannover: Handel’s Power to Charm,” CS Monitor (Aug 13, 1963), p. 2, cols. 1-2.

36) “Munich Shows Art Inside and Out,” CS Monitor (Aug 16, 1963), p. 4, cols. 1-4.

37) “Salzburg Completes Immense ‘Faust’,” CS Monitor (Aug 24, 1963), p. 6, cols. 1-4.

38) “Sotheby’s: Swift and Sedate,” CS Monitor (Aug 31, 1963), p. 4, cols. 2-4.

39) “What the Lady Said in Bayreuth,” CS Monitor (Sep 7, 1963), Editorial Page, cols. 4-6.

40) “Standbys Shine at Munich Festival,” CS Monitor (Sep 9, 1963), p. 10, cols. 1-2.

41) “No TV Wasteland,” CS Monitor (Sep 25, 1963), p. 12, cols. 1-2.

42) “Bavarian National Theatre: Out of the Flames,” CS Monitor (Oct 11, 1963), p. 8, cols. 1-3.

43) “How Children Respond: In Sweden,” CS Monitor (Nov 23, 1963), p. 21, cols. 1-4.

44) “Broadcasting in Germany: Authorities Watchful to Prevent Abuses,” CS Monitor (Jan 2, 1964), p. 4, cols. 1-3.

45) “For the Sentimentalists: Operetta Thrives in Munich,” CS Monitor (Jan 21, 1964), p. 2, cols. 1-4.

46) “Self-Portrait in Self-Possession,” CS Monitor (Feb 20, 1964), p. 7, cols. 3-5.

47) “Letters From a Door-Slammer,” CS Monitor (Apr 16, 1964), p. 11, cols. 1-3.

48) “Brecht: Inside an Outsider,” CS Monitor (Apr 30, 1964), p. 4, cols. 2-7.

49) “Glamour Girl,” CS Monitor (May 14, 1964), p. 11, cols. 1-2.

50) “As the Colonies Grew Up,” CS Monitor (May 15, 1964), “Zee Page,” cols. 1-2.

51) “Lincoln Rep. No. 1,” CS Monitor (Jun 18, 1964), p. 7, cols. 7-8.

52) “On and Off-Broadway – Darryl Hickman: ‘How to Succeed’,” CS Monitor (Jun 24, 1964), “Zee Page,” cols. 1-2.

53) “Broadway Kitsch at Cologne?” CS Monitor (Aug 10, 1964), p. 6, cols. l-3. (London Edition)

54) “Festival Flourishes at Bayreuth,” CS Monitor (Aug 12, 1964), p. 4, cols. 1-4. (London Edition)

55) “Visual Tricks at Munich,” CS Monitor (Aug 14, 1964), p. 2, cols. 1-2. (London Edition)

56) “Artistic Impact of Two 100th Anniversaries,” CS Monitor (Aug l4, 1964), p. 2, cols. 1-4. (London Edition)

57) “Munich Festival-‘Handsome Exception’,” CS Monitor (Aug 31, 1964), p. 2, cols. 1-3.

58) “Rough Edges for the Bard,” CS Monitor (Sep 28, 1964), p. 4, cols. 1-4.

59) “Voices Heard Over a Wall,” CS Monitor (Oct 12, 1964), p. 4, cols. 1-2.

60) “Operetta Bursts with Health,” CS Monitor (Oct 15, 1964), p. 6, cols. 1-3.

61) “Chaplin: Old Sentimentality,” CS Monitor (Oct 15, 1964), p. 11, cols. l-3.

62) “Germany Needs Jess,” CS Monitor (Oct 21, 1964), p. 6, cols. 1-3.

63) “Clashing Discords at the Dutch Opera,” CS Monitor (Oct 27, 1964), p. 2, cols. 2-4.

64) “Drama Auf Deutsch,” New York Herald Tribune Sunday Magazine (Nov 1, 1964), p. 25.

65) “Dynamic Reri Grist,” CS Monitor (Nov 25, 1964), p. 10, cols. 2-3.

66) “Raymond Duncan Holding Forth at 90,” CS Monitor (Dec 5, 1964), p. 8, cols. 1-4.

67) “Voice of West Germany,” CS Monitor (Dec 9, 1964), p. 8, cols. 2-4.

68) “Echoes of a Parisian Street Singer,” CS Monitor (Dec 10, 1964), p. 7, cols. 1-4.

69) “At Least One Cat for Rabbit Stew,” CS Monitor (Dec 11, 1964), p. 4, cols. 2-4.

70) “Chewing the Scenery,” CS Monitor (Jan 7, 1964), p. 8, cols. 5-6.

71) “Team With Ideals – Opera and the McCrackens,” CS Monitor (Jan 11, 1965), p. 4, cols. 1-3.

72) “Between Practices With Lorin Hollander,” CS Monitor (Jan 14, 1965), p. 12, cols. 1-4.

73) “Exactly As She Wishes,” CS Monitor (Jan 20, 1965), p. 4, cols. 1-2.

74) “To School by Radio in Germany,” CS Monitor (Feb 6, 1965), p. 13, cols. 6-8.

75) “Travels and Research,” CS Monitor (Feb 9, 1965), p. 14, col. 6.

76) “The Conscience Gets a Goading,” CS Monitor (Feb 11, 1965), p. 9, cols. 1-2.

77) “Catch Fire With Paul Shyre,” CS Monitor (Feb 13, 1965), p. 4, cols. 1-4.

78) “Theatre: Glamour Side Up,” CS Monitor (Feb 18, 1965), p. 5, cols. 2-5.

79) “Tunes Not Spoofs,” CS Monitor (Mar 11, 1965), p. 4, cols. 1-2.

80) “Film Maker’s Flashback,” CS Monitor (Mar 15, 1965), p. 9, cols. 1-2.

81) “Broadway Under Fire,” CS Monitor (Mar 19, 1965), p. 6, cols. 1-2.

82) “Sings Like an Italian,” CS Monitor (Apr 2, 1965), p. 10, cols. 1-3.

83) “Conquistadores on the Way,” New York Herald-Tribune Sunday Magazine (Apr 4, 1965), p 25.

84) “Laretei’s U. S. Debut,” CS Monitor (Apr 13, 1965), p. 4, cols. l-3.

85) “Stool Pigeon Among the Critics,” CS Monitor (Apr 16, 1965), p. 9, cols. 1 & 2.

86) “Elder’s Scenic Touch,” CS Monitor (Apr 16, 1965), p. 10, cols. 2-4.

87) “Two German Voices,” CS Monitor (Apr 23, 1965), p. 4, cols. 3-4.

88) “Speaking and Speeches: So You’ve Got To Make a Speech?” CS Monitor (Apr 27, 1965), p. 15, cols. 1-3.

89) “Speaking and Speeches: Choosing The Best Topic for Your Audience,” CS Monitor (Apr 29, 1965), p. 13, cols. 1-3.

90) “French Baritone’s Secret,” CS Monitor (May 1, 1965), p. 4, cols. 1-3.

91) “Speaking and Speeches: Organizing Ideas and Information,” CS Monitor (May 4, 1965), p. 15, cols. 1-3.

92) “Speaking and Speeches: Effective Introductions,” CS Monitor (May 6, 1965), p. 15, cols. 1-3.

93) “Speaking and Speeches: Rehearsing the Talk Is Important,” CS Monitor (May 11, 1965), p. 15, cols. 1-3.

94) “Speaking and Speeches: Delivery of Your Speech Is Important,” CS Monitor (May 13, 1965), p. 17, cols. 3-5.

95) “Speaking and Speeches: Speeches That Inform or Demonstrate,” CS Monitor (May 18, 1965), p. 17, cols. 1-3.

96) “Speaking and Speeches: Speeches To Persuade Require Practice,” CS Monitor (May 20, 1965), p. 17, cols. 3-5.

97) “Julius Rudel’s Recipe: Porridge, Starch, Iron!” CS Monitor (May 24, 1965), p. 2, cols. 1-3.

98) “Speaking and Speeches: Speeches To Entertain,” CS Monitor (May 25, 1965), p. 17, cols. 1-3.

99) “Speaking and Speeches: Having Your ‘Say’ in Group Discussion,” CS Monitor (May 27, 1965), p. 15, cols. 3-5.

100) “She Sells Musical Hits,” CS Monitor (Jun 15, 1965), p. 5, col. 3.

101) “Fulfilling Wagner’s Dream,” CS Monitor (Jun 17, 1965), p. 4, cols. 1-3.

102) “Verrett’s Jet-Age Singing,” CS Monitor (Jul 28, 1965), p. 4, cols. 1-2.

103) “Wagner’s ‘Ring’ in New Light,” CS Monitor (Aug 11, 1965), p. 6, cols. 1-3.

104) “Faint Curtain Calls,” CS Monitor (Aug 17, 1965), p. 9, cols. 1-2.

105) “Stunning ‘Tristan’,” CS Monitor (Aug 21, 1965), p. 6, cols. 2-3.

106) “Munich Canvases Take by Surprise,” CS Monitor (Aug 31, 1965), p. 4, cols. 3-4.

107) “Lex Barker auf Deutsch,” New York Herald Tribune Sunday Magazine (Oct 24, 1965), p. 38.

108) “Living Dangerously,” New York Times (Nov 7, 1965), Drama Sections p. 4, cols. 4-6, p. 9, cols 1-3.

109) “Is San Francisco A Theatre Town?” New York Herald-Tribune Sunday Magazine (Mar 27, 1966), p. 26.

110) “Visitors From Munich,” New York Herald-Tribune Sunday Magazine (Apr 3, 1966), p. 31.

111) “Seeing Everything – New Theatre: Hippiedrome,” New York Daily Column (May 31, 1968), p. 4, cols. 4-5.

112) “The Case for the Canadians,” New York Daily Column (June 19, 1968), p. 10, cols. 1-3.

113) “City Center Season: Quantity Dulls Quality,” New York Daily Column (July 1, 1963), p. 11, cols. 1-3.

114) “You Can’t Dance to Shakespeare,” New York Daily Column (July 8, 1968), p. 11, cols. 1-3.

115) “Shakespeare: Tomorrow, Tomorrow, and Tomorrow,” New York Daily Column (July 17, 1968), 11, cols. 1-5.

116) “A Real Breakthrough in Black Theatre,” New York Daily Column (July 18, 1968), p. 11, cols. 1-4.

117) “Experimental Theatre of the Ridiculous – It Sure Is!” New York Daily Column (July 22, 1968), p. 7, cols. 1-5.

118) “English Opera Hits a High Note,” New York Daily Column (July 24, 1968), p. 7, cols. 1-3.

119) “Judy Wilson, a New Star,” New York Daily Column (Aug 14, 1968), p. 7.

120) “The Inscrutable Asian Theatre,” New York Daily Column (Aug 19, 1968), p. 7.

121) “The Teutons Adore Tevye,” New York Daily Column (Aug 26, 1968), p. 7.

122) “Old England Gets a New Mermaid,” New York Daily Column (Sep 3, 1968), p. 7.

123) “Golden Arm Awards: Honors for Losers,” New York Daily Column (Sep 5, 1968), p. 7.

124) “Is Tristan Truly Cursed?” New York Daily Column (Sep 9, 1968), p. 6.

125) “Munich’s Glittering Opera Should Make Met Take Note,” New York Daily Column (Sep 10, 1968), p. 7.

126) “Salzburg, Where Mozart Lives,” New York Daily Column (Sep 24, 1968), p. 6.

127) “Little Holland Out-Cultures U. S.,” New York Daily Column (Sep 30, 1968), p. 7.

128) “Rare Frescoes in Stirring Met Show,” New York Dally Column (Oct 1, 1968), p. 7.

129) “Audience, Not the Artist, Feels Pain,” New York Daily Column (Oct 21, 1968), p. 7.

130) “Time to Organize a Theatre Embassy,” New York Daily Column (Oct 30, 1968), p. 7.

131) “Prometheus, Ever a Stickler to Stage,” New York Daily Column (Nov 11, 1968), p. 7.

132) “Evil to ‘Beschmutz’ Your Own Nest,” NY Daily Column (Nov 19, 1968), p. 7.

133) “Playboy Talent Merely Fluff,” NY Daily Column (Dec 2, 1963), p. 7.

134) “The Bowery’s Where It’s All At,” NY Daily Column (Dec 9, 1968), p. 7.

135) “Dancing to Dance About,” NY Daily Column (Dec 11, 1968), p. 7.

136) “Museums Recreate Life Along the Nile,” NY Daily Column (Dec 13, 1968), p. 7.

137) “Big Time Buck White – He’s Just Beautiful,” NY Daily Column (Dec 18, 1968), p. 7.

138) “A House of Atreus Is Not a Home,” NY Daily Column (Dec 20, 1968), p. 7.

139) “Excess, Excess: Beclech – Just as Bad as It Sounds,” NY Daily Column (Dec 23, 1968), p. 7.

140) “New York City - In Song and Story,” NY Daily Column (Dec 26, 1968), p. 7.

141) “Mata Hari – Attractive on Off-Broadway,” NY Daily Column (Dec 27, 1968), p. 6.

142) “The Resistible Arturo Ui,” NY Daily Column (Dec 30, 1968), p. 3.

143) “Inter-Racial Our Town Works in the Third City,” NY Daily Column (Jan 2, 1969), p. 7.

144) “The ‘Occult’ Seems Right in Los Angeles,” NY Daily Column (Jan 3, 1969), p. 7.

145) “Art Show in the Rough – What’s It All About?” NY Daily Column (Jan 5, 1969), p. 7.

146) “Warhol Strips Western Down to Bare Essentials,” NY Daily Column (Jan 8, 1969), p. 7.

147) “A Wonderful Spoof of American Revolution,” NY Daily Column (Jan 9, 1969), p. 7.

148) “Failure on Broadway; a Classic in London,” NY Daily Column (Jan 12, 1969), p. 7.

149) “Hamlet Production Receives High Praise,” NY Daily Column (Jan 13, 1969), p. 6.

150) “Bananas Re-evaluated: Worth Day at Theatre,” NY Daily Column (Jan 14, 1969), p. 6.

151) “New Hope for American Opera,” NY Daily Column (Jan 20, 1969), p. 6.

152) “Two Tales of Mixed-Up Love Have Validity,” NY Daily Column (Jan 22, 1969), p. 6.

153) “The Family That Slays Together Stays Together,” NY Daily Column (Jan 23, 1969), p. 6.

154) “There’s Much Ado in NY on a Saturday Afternoon,” NY Daily Column (Jan 24, 1969), p. 6.

155) “Puppet Oz: It’s a Wizard Show by the Bairds,” V NY Daily Column (Jan 26, 1969), p. 8.

156) “Tango, in the Pocket Theatre, Faithful to Polish Production,” NY Daily Column (Jan 28, 1969), p. 6.

157) “Cock-a-Doodle-Dandy Will Raise Your Emotions,” NY Daily Column (Jan 31, 1969), p. 6.

158) “Anybody Here Seen Chaucer?” NY Daily Column (Feb 3, 1969), p. 6.

159) “Will the Real King Lear Please Stand Up?” NY Daily Column (Feb 4, 1969), p. 6.

160) “Plenty to Celebrate About Musicals,” NY Daily Column (Feb 5, 1969), p. 6.

161) “Black Magic or Black Art?” NY Daily Column (Feb 6, 1969), p. 6.

162) “Moon Over Ford’s Theatre,” NY Daily Column (Feb 7, 1969), p. 6.

163) “Hairy Play Is Shot Down,” NY Daily Column (Feb 9, 1969), p. 8.

164) “London’s Lost Theatre,” NY Daily Column (Feb 10, 1969), p. 6.

165) “The Music Hunter,” NY Daily Column (Feb 14, 1969), p. 6.

166) “The Sound of Musical Satire,” NY Daily Column (Feb 16, 1969), p. 3.

167) “The Title Says It All,” NY Daily Column (Feb 17, 1969), p. 6.

168) “Gabe Dell for President!” NY Daily Column (Feb 18, 1969), p. 6.

169) “Peace, It’s Wonderful!” NY Daily Column (Feb 19, 1969), p. 6.

170) “Opera Isn’t Easy as it Looks,” NY Daily Column (Feb 20, 1969), p. 6.

171) “Fruit of the Loom,” NY Daily Column (Feb 21, 1969), p. 6.

172) “Six Characters in Search of Murders,” NY Daily Column (Feb 23, 1969), p. 3.

173) “South Street Seaport,” NY Daily Column (Feb 24, 1969), p. 6.

174) “New York for Sale – Piece by Piece,” NY Daily Column (Feb 25, 1969), p. 6.

175) “Listening in on the Critics,” NY Daily Column (Feb 26, 1969), p. 6.

176) “A Very Unusual Birthday Party,” NY Daily Column (Feb 28, 1969), p. 6.

177) “You Can’t Take It Seriously,” NY Daily Column (Mar 2, 1969), p. 8.

178) “Where’s Charley’s Aunt?” NY Daily Column (Mar 4, 1969), p. 6.

179) “Scarecrow in Princeton,” NY Daily Column (Mar 5, 1969), p. 6.

180) “Actions Louder Than Words,” NY Daily Column (Mar 7, 1969), p. 6.

181) “Theatre Outside the Theatre,” NY Daily Column (Mar 11, 1969), p. 6.

182) “Oppenheimer at Beaumont,” NYD Column (Mar 12, 1969), p. 6.

183) “Watering Place at Music Box,” NYD Column (Mar 13, 1969), p. 6.

184) “A Word From Our Sponsor,” NYD Column (Mar 14, 1969), p. 6.

185) “Old Clichés in New Frames,” NYD Column (Mar 17, 1969), p. 6.

186) “Melancholy and Mod Hamlet,” NYD Column (Mar 18, 1968), p. 6.

187) “Of Thee I Sing Is Reborn,” NYD Column (Mar 19, 1969), p. 6.

188) “An Invitation to the Dance,” NYD Column (Mar 21, 1969), p. 6.

189) “City University Students Protest: Politicians Selling Them Short,” NYD Column (Mar 23, 1969), p. 1.

190) “By Faith Are Ye Saved,” NYD Column (Mar 24, 1969), p. 6.

191) “The Sing-Along Murders,” NYD Column (Mar 25, 1969), p. 6.

192) “Perfect Party Not Perfect Play,” NYD Column (Mar 26, 1969), p. 6.

193) “Jules Irving Strikes Again,” NYD Column (Mar 28, 1969), p. 6.

194) “After Dark Catches On,” NYD Column (Mar 30, 1969), p. 8.

195) “Gower Champion’s Flea.” NYD Column (Mar 31, 1969), p. 6.

196) “Another Headache for Lindsay as City Scene Gets Boost,” NYD Column (Apr 1, 1969), p. 6.

197) “Open Season on Shakespeare,” NYD Column (Apr 2, 1969), p. 6.

198) “Lincoln Center in Outer Circle,” NYD Column (Apr 6, 1969), p. 8.

199) “Dionysus in New Haven,” NYD Column (Apr 7, 1969), p. 6.

200) “Quaking at Meeting House,” NYD Column (Apr 8, 1969), p. 6.

201) “The Plough and the Stars,” NYD Column (Apr 9, 1969), p. 6.

202) “Stop This Senseless Killing,” NYD Column (Apr 10, 1969), p. 6.

203) “Lime Green, Lavendar Blue…” NYD Column (Apr 11, 1969), p. 6.

204) “The Sets Take a Bow,” NYD Column (Apr 13, 1969), p. 8.

205) “Sending Critics to Coventry,” NYD Column (Apr 14, 1969), p. 6.

206) “Prince Igor for Eager Fans,” NYD Column (Apr 15, 1969), p. 6.

207) “How’s That for Cornbread?” NYD Column (Apr 16, 1969), p. 6.

208) “The Devil You Say!” NYD Column (Apr 17, 1969), p. 6.

209) “Casualty Reports from Battles,” NYD Column (Apr 18, 1969), p. 6.

210) “Parades Pass By and Die,” NYD Column (Apr 22, 1969), p. 6.

211) “A Latin Holy Week,” NYD Column (Apr 23, 1969), p. 6.

212) “Go to the Movies – Or Else!” NYD Column (Apr29, 1969), p. 6.

213) “The Red Cross Bandits,” NYD Column (Apr 30, 1969), p. 6.

214) “Next Year in San Salvador,” NYD Column (May 1, 1969), p. 6.

215) “On Camera in San Andres,” NYD Column (May 2, 1969), p. 6.

216) “Rip Torn Strikes Again,” NYD Column (May 4, 1969), p. 8.

217) “Golden Rooster Night at Center,” NYD Column (May 5, 1969), p. 6.

218) “21 Guns for Dames at Sea,” NYD Column (May 9, 1969), p. 6.

219) “100 Years of the Golden Spike,” NYD Column (May 11, 1969), p. 8.

220) “War Games and Hostilities,” NYD Column (May 12, 1969), p. 6.

221) “Front Page Enjoyable Revival,” NYD Column (May 13, 1969), p. 6.

222) “The Twenties Live Again,” NYD Column (May 14, 1969), p. 6.

223) “Puccini in Flatbush,” NYD Column (May 15, 1969), p. 6.

224) “French Allegory at Barbizon,” NYD Column (May 16, 1969), p. 6.

225) “Sanctuary – Sancta Simplicitas?” NYD Column (May 19, 1969), p. 6.

226) “Twelfth Night at Hunter,” NYD Column (May 20, 1969), p. 6.

227) “Haunting Staging of Ghosts,” NYD Column (May 21, 1969), p. 6.

228) “Grand Illusion on 13th Street,” NYD Column (May 23, 1969), p. 6.

229) “Lola Montez: Golden Courtesan,” NYD Column (May 27, 1969), p. 6.

230) “Stakes in Shakespeare Derby,” NYD Column (May 28, 1969), p. 6.

231) “Dance, Ballerina, Dance,” NYD Column (Jun 1, 1969), p. 8.

232) “Bulletin from the Flesh Pots,” NYD Column (Jun 2, 1969), p. 6.

233) “An Extremely Unctious Papp,” NYD Column (Jun 3, 1969), p. 6.

234) “Life Against Death,” NYD Column (Jun 4, 1969), p. 7.

235) “Culture and Poverty,” NYD Column (Jun 5, 1960), p. 6.

236) “Burlesque as You Like It,” NYD Column (Jun 6, 1969), p. 6.

237) “No Stinginess in The Miser,” NYD Column (Jun 8, 1969), p. 8.

238) “Stay Out of Tokyo Hotels,” NYD Column (Jun 10, 1969), p. 6.

239) “Go West, Young Buff,” NYD Column (Jun 11, 1969), p. 6.

240) “Not So Greatshot,” NYD Column (Jun 12, 1969), p. 6.

241) “Rock With the Critic,” NYD Column (Jun 13, 1969), p. 6.

242) “Dick Powell Sings Again,” NYD Column (Jun 15, 1969), p. 6.

243) “A Coney Island Nightmare,” NYD Column (Jun 16, 1969), p. 8.

244) “Philosophy in the Boudoir,” NYD Column (Jun 17, 1969), p. 6.

245) “Much Ado About Something,” NYD Column (Jun 18, 1969), p. 6.

246) “Eat My Dialectics,” NYD Column (Jun 20, 1969), p. 6.

247) “Death Revisited Play by Play,” NYD Column (Jun 22, 1969), p. 8.

248) “Who’s On First?” NYD Column (Jun 23, 1969), p. 6.

249) “An Apprentice Sorcerer,” NYD Column (Jun 24, 1969), p. 6.

250) “R&G Are Alive and Well,” NYD Column (Jun 27, 1969), p. 6.

251) “The Architect and the Emperor,” NYD Column (Jun 29, 1969), p. 8.

252) “You’ve Got the Wrong Floor,” NYD Column (Jul 7, 1969), p. 6.

253) “The Night of the Rose Knight,” NYD Column (Jul 2, 1969), p. 6.

254) “Not by Easy Stages,” NYD Column (Jul 7, 1969), p. 8.

255) “Siesta in Madrid,” NYD Column (Jul 9, 1969), p. 6.

256) “Once More Unto the Beach,” NYD Column (Jul 13, 1969), p. 8.

257) “In Celebration of What?” NYD Column (Jul 16, 1969), p. 6.

258) “A Midsummer Christmas,” NYD Column (Jul 17, 1969), p. 6.

259) “Murder – in the Cathedral,” NYD Column (Jul 18, 1969), p. 6.

260) “Sense and Sentiment on the Stage,” NYD Column (Jul 20, 1969), p. 8.

261) “Pale Pelleas Palls,” NYD Column (Jul 22, 1969), p. 6.

262) “Splendor in the Garden,” NYD Column (Jul 23, 1969), p. 6.

263) “Over the Ocean and Away,” NYD Column (Jul 25, 1969), p. 6.

264) “A Flea on Her Farce,” NYD Column (Jul 27, 1969), p. 8.

265) “Take Me to Your Lieder,” NYD Column (Jul 29, 1969), p. 6.

266) “Jesus as a Masochist,” NYD Column (Jul 30, 1969), p. 6.

267) “The Cry of the Peacock,” NYD Column (Jul 31, 1969), p. 6.

268) “Somebody or Nobody,” NYD Column (Aug 1, 1969), p. 6.

269) “Music in the Minster,” NYD Column (Aug 3, 1969), p. 8.

270) “Brief Lives – Brief Candles,” NYD Column (Aug 4, 1969), p. 6.

271) “40 Years On,” NYD Column (Aug 5, 1969), p. 6.

272) “Up the Tallest Maypole,” NYD Column (Aug 6, 1969), p. 6.

273) “Comedy as You Like It,” NYD Column (Aug 8, 1969), p. 6.

274) “Cat Among the Pigeons,” NYD Column (Aug 11, 1969), p. 6.

275) “Wring Out the New, Bring Back the Old,” NYD Column (Aug 12, 1969), p. 6.

276) “Nikolais in Amsterdam,” NYD Column (Aug 13, 1969), p. 6.

277) “Reconstruction and After That?” NYD Column (Aug 14, 1969), p. 6.

278) “Boredom as a Fine Art,” NYD Column (Aug 15, 1969), p. 6.

279) “Musement in Utrecht,” NYD Column (Aug 17, 1969), p, 8.

280) “Americans Abroad,” NYD Column (Aug 18, 1969), p. 6.

281) “Haarlem on My Mind,” NYD Column (Aug 19, 1969), p. 6.

282) “A Dutch Treatment,” NYD Column (Aug 20, 1969), p. 6.

283) “Down With Death,” NYD Column (Aug 21, 1969), p. 6.

284) “A Harp Sounds in Brekelen,” NYD Column (Aug 22, 1969), p. 6.

285) “Congress Hall in the Hague,” NYD Column (Aug 24, 1969), p. 6.

286) “Cologne Isn’t Toilet Water,” NYD Column (Aug 25, 1969), p. 6.

287) “University Theatre on Canal,” NYD Column (Aug 26, 1969), p. 6.

288) “The Golden Helden,” NYD Column (Aug 27, 1969), p. 6.

289) “Bad Times Will Come Again,” NYD Column (Aug 29, 1969), p. 6.

290) “Prince of Neu Schwanstein,” NYD Column (Aug 31, 1969), p. 8.

291) “Teresa Stratas in English,” NYD Column (Sep 1, 1969), p. 8.

292) “Negro Problem in Mannheim,” NYD Column (Sep 2, 1969), p. 6.

293) “Negro Problem in Mannheim-II,” NYD Column (Sep 3, 1969), p. 6.

294) “Strike Up the Band,” NYD Column (Sep 4, 1969), p. 6.

295) “Anti-Establishment Opera,” NYD Column (Sep 5, 1969), p. 6.

296) “Monsieur Chasse in Munich,” NYD Column (Sep 8, 1969), p. 6.

297) “Digging Up Donizetti,” NYD Column (Sep 9, 1969), p. 6.

298) “The Game of Love and Death,” NYD Column (Sep 10, 1969), p. 6.

299) “North, South, from Nuremberg,” NYD Column (Sep 11, 1969), p. 6.

300) “Manhunt in Bavaria,” NYD Column (Sep 12, 1969), p. 6.

301) “Parsifal auf Naxos?” NYD Column (Sep 14, 1969), p. 8.

302) “Flying Dutchmen and Czechs,” NYD Column (Sep 15, 1969), p. 6.

303) “Brava, Isolde Nilsson!” NYD Column (Sep 16, 1969), p. 6.

304) “They’re Not All Like That,” NYD Column (Sep 17, 1969), p. 6.

305) “Maria Theresia Lives Again!” NYD Column (Sep 18, 1969), p. 6.

306) “Jugendstil Glass: Rare Beauty,” NYD Column (Sep 19, 1969), p. 6.

307) “Festival Towns in Summer,” NYD Column (Sep 22, 1969), p. 6.

308) “Dance Macabre in Sepia,” NYD Column (Sep 23, 1969), p. 6.

309) “Oratorios or Operas,” NYD Column (Sep 24, 1969), p. 6.

310) “Last Time I Saw Nestroy,” NYD Column (Sep 25, 1969), p. 6.

311) “How Much Land – How Much Rope?” NYD Column (Sep 26, 1969), p. 6.

312) “A Salzburg Musical Seminar,” NYD Column (Sep 28, 1969), p. 8. “Rape in the Quarry,” NYD Column (Sep 29, 1969), p. 6.

313) “Altenmarkt’s Schoene Madonna,” NYD Column (Oct 1, 1969), p. 6.

314) “New Ideas for Old Masters,” NYD Column (Oct 2, 1969), p. 6.

315) “George Murphy in Budapest,” NYD Column (Oct 4, 1969), p. 8.

316) “Trollfloejten in Far North,” NYD Column (Oct 8, 1969), p. 6.

317) “I Am Curious (Brecht),” NYD Column (Oct 10, 1969), p. 6.

318) “Theatre,” NYD Column (Nov 21, 1969), p. 8.

319) “Theatre,” NYD Column (Nov 28, 1969), p. 8.

320) “Theatre,” NYD Column (Dec 12, 1969), p. 8.

321) “Theatre,” NYD Column (Dec 19, 1969), p. 10.

322) “Theatre,” NYD Column (Jan 2, 1970), p. 8.

323) “Theatre,” NYD Column (Jan 23, 1970), p. 8.

324) “Theatre,” NYD Column (Feb 13, 1970), p. 8.

325) “Theatre,” NYD Column (Feb 20, 1970), p. 8.

326) “Theatre,” NYD Column (Feb 27, 1970), p. 8.

327) “Tal’s Opera: A Forgettable “Temptation,” NY Daily News (Aug 9, 1976), p. 20.

328) “A Salzburg Connection,” NY Daily News (Aug 20, 1976), p. 54.

329) “Modern Opera at the Met – Simple Staging, Splendid Casts,” This World / Sunday Examiner & Chronicle (Oct 24, 1976), p. 35.

330) “A Collision of Myths: David Rudkin’s Own Struggle With a Primal Dilemma Resulted in the Play ‘Ashes,’” The Villager / Artsboard “Lynne Meadow: ‘The Play Had To Be Done!’,” The Villager / Artsboard “Ashes: Downtown,” The Villager / Artsboard (Feb 17, 1977), p. 7.

331) “Stage: Shelley’s Family Strife,” The Villager (Feb 24, 1977), p. 8.

332) “Theatre: Ludlam’s ‘Der Ring’ Not Funny Enough,” The Villager (May 5, 1977), p. 11.

333) “Theatre of the Ridiculous Wings West,” Los Angeles Times / Calendar (9 Apr 1978), p. 68.

334) “Flora Flees Fiends,” Other Stages (Oct 5, 1978), p. 5.

335) “Broken Heart Has Cracked Plot,” Other Stages (Oct 19, 1978), p. 5.

336) “Regina – Egmont,” Other Stages (Nov 2, 1978), p. 4.

337) “Smashing Game and Gazers,” Other Stages (Nov 16, 1978), pp. 5-7.

338) “Biting the Ballad,” Other Stages (Nov 30, 1978), p. 5.

339) “Fathers / Sons Creates Tedium Gap,” The Westsider (Dec 7, 1978), p. 14.

340) “Babes in Toyland,” Other Stages (Dec 28, 1978), p. 1.

341) “Borders of Sanity,” Other Stages (Dec 28, 1978), p. 4.

342) “The Great White Way Cleans Up Its Act,” Sunday / Calendar / Los Angeles Times (Dec 31, 1978), p.3.

343) “Britannia Waves the Rule,” Other Stages (Jan 11, 1979), pp. 6-7.

344) “Toyland Revival,” Eastside Express (Jan 25, 1979), p. 9.

345) “An Angel Comes To Babylon,” Other Stages (Feb 8, 1979), p. 2.

346) “Grassroots and Heartlands,” Other Stages (Feb 8, 1979), p. 5.

347) “Kantor and the Dead Class,” Other Stages (Feb 8, 1979), p. 11.

348) “Kantor and the Dead Class,” Chelsea-Clinton News (Feb 22, 1979), p. 6.

349) “Theatre on the Wall,” Other Stages (Feb 22, 1979), p. 3.

350) “On Wings of Song,” Other Stages (Feb 22, 1979), pp. 4-5.

351) “Politics and Potatoes,” Other Stages (Mar 8, 1979), p. 6.

352) “East/West Fusion,” Other Stages (Mar 22, 1979), p. 6.

353) “Back-to-Back OOBA Evening,” Other Stages (Mar 22, 1979), pp. 6, 11.

354) “TOLA Conference,” Other Stages (Apr 5, 1979), p. 2.

355) “Frisch’s Different Mistakes,” Other Stages (Apr 19, 1979), p. 9.

356) “Breeders Best at Hetro,” Westsider (May 3, 1979), p. 6.

357) “Svenska Riksteatern,” Other Stages (May 3, 1979), p. 3.

358) “Blowing in the Wind,” Other Stages (May 3, 1979), p. 4.

359) “Costumes on Parade,” Other Stages (May 3, 1979), p. 5.

360) “Where’s Barbara?” Other Stages (May 31, 1979), p. 4.

361) “Walt Disney or Animal Farm?” Other Stages (Jun 14, 1979), p. 4.

362) “From Fringe to Shining Fringe,” Other Stages (Jun 28, 1979), p. 10.

363) “No Time for Nazis,” Other Stages (Oct 4, 1979), p. 4.

364) “CSC: From Europe with Love,” Other Stages (Oct 4, 1979), p. 6.

365) “Chekhovian Notes,” Other Stages (Nov 15, 1979), p. 2.

366) “Titling the Text,” Other Stages (Nov 29, 1979), p. 4.

367) “A Mary Season,” Other Stages (Dec 13, 1979), p. 9.

368) “Selling the Soul,” Other Stages (Dec 13, 1979), p. 10.

369) “Bloody Black Bodice,” Other Stages (Dec 26, 1979), p. 10.

370) “Leave Well Enough Alone,” Other Stages (Jan 24, 1980), p. 6.

371) “Not By Bread Alone,” Other Stages (Jan 24, 1980), p. 8.

372) “Casa Brava,” Other Stages (Feb 7, 1980), p. 5.

373) “Four Rac-y One-Acts,” Other Stages (Feb 21, 1980), p. 6.

374) “Don Giovanni Without the Plastic Tights,” Newsday (Mar 2, 1980), pp. 15-16.

375) “Belief-Disbelief Spectrum,” Other Stages (Mar 6, 1980), pp. 5, 11.

376) “Set Pieces,” Other Stages (Mar 6, 1980), p. 10.

377) “Three by Three,” Other Stages (Apr 3, 1980), p. 4.

378) “Corn to Catskills,” Other Stages (May 15, 1980), p. 10.

379) “Spectacular Spaces,” Other Stages (May 15, 1980), p. 10.

380) “No Fo Pass, State’s Faux Pas,” Other Stages (May 29, 1980), pp. 2, 11.

381) “A Horse, a Horse…” Other Stages (May 29, 1980), p. 6.

382) “High Notes – Part 1,” Other Stages (Jun 26, 1980), p. 3.

383) “High Notes – Part 2,” Other Stages (Jul 10, 1980), p. 3.

384) “An Estival Festival,” Other Stages (Jul 1980 / Demo Conv Issue), p. 7.

385) “Protocol Now,” Other Stages (Jul 24, 1980), p. 12.

386) “Hanging the Eastern Bloc,” Other Stages (Jul 24, 1980), pp. 6, 13.

387) “Ellen Stewart: a National Resource,” Other Stages (Sep 25, l980), pp. 3-4.

388) “A Witch Curtsied,” Other Stages (Sep 25, 1980), p. 4.

389) “Fine Feingold Twice,” Other Stages (Oct 9, 1980), p. 4.

390) “On the Wall,” Other Stages (Oct 23, 1980), p. 4.

391) “Oedipal Triplex,” Other Stages (Dec 18, 1980), p. 6.

392) “Unearthed Goods,” Other Stages (Dec 18, 1980), p. 14.

393) “Prop Boxes,” Other Stages (Jan 15, 1981), p. 4.

394) “Meager Beaver,” Other Stages (Jan 15, 198l), p. 6.

395) “Two for Nine,” Other Stages (Jan 15, 198l), p. 11.

396) “Populaire,” Other Stages (Jan 29, 198l), p. 8.

397) “Cayce in Point,” Other Stages (Feb 26, 1981), p. 4.

398) “All Set,” Other Stages (Feb 26, 1981), p. 10.

399) “Some Lee Way,” Other Stages (Mar 12, 1981), p. 4.

400) “Going Down,” Other Stages (Mar 26, 198l), pp. 9 – 10.

401) “Marvin’s Marching,” Other Stages (Apr 9, 1981), p. 5.

402) “Heckscher’s Horizon,” Other Stages (Apr 9, 1981), pp. 8 – 9.

403) “Joe Chaikin: Bringing It All Back Home,” Other Stages (Apr 23, 1981), pp. 3-4.

404) “Happy Birthday,” Other Stages (Apr 23, 1981), p. 2.

405) “Book Reviews,” Other Stages (May 7, 1981), p. 9.

406) “Wind,” Other Stages (May 21, 198l), p. 2.

407) “Henrik Was Here,” Other Stages (May 21, 1981), p. 2.

408) “Which’s Calderon?” Other Stages (Jun 4, 1981), p. 9.

409) “Heckscher,” Other Stages (Jun 4, 1981), p. 2.

410) “Bavarian Depths,” Other Stages (Jun 18, 198l), pp. 7-8.

411) “Global Theatre: Spoleto and Cervantino,” Other Stages (Jul 2, 1981), pp. 8-9, 11.

412) “On the Road,” Other Stages (Jul 30, 198l), p. 9.

413) “Let There Be Lights, Camera…” Other Stages (Jul 30, 198l), p. 6.

414) “Opernfest,” Other Stages (Sep 24, 198l), pp. 3-4.

415) “Garrick and Co.,” Other Stages (Sep 24, 198l), p. 10.

416) “Nationally Endowed,” Other Stages (Sep 24, 1981), p. 10.

417) “Trio Con Brio,” Other Stages (Oct 8, 1981), p. 8.

418) “After 50 Years, the Waldorf’s Still Tops,” East Side Express (Oct 15, 1981), pp. 1, 8.

419) “Mama’s Babes Come Home,” Other Stages (Oct 22, 1981), p. 10.

420) “Chalkman Meets Eraserhead?” Westsider (Oct 29, 1981), p. 12.

421) “Mr. Apology, the High Priest of Confessional Art,” Westsider (Nov 5, 1981), p. 8.

422) “Bazaar Doings,” Other Stages (Nov 5, 1981), pp. 2, 10.

423) “De Jong and Gandhi: Through a Glass Darkly,” Other Stages (Nov 5, 1981), p. 3.

424) “Brief Encounters,” Other Stages (Nov 5, 1981), pp. 6, 9.

425) “Watt a Way To Go: Theatres’ Future Up To Feds?” East Side Express (Nov 12, 1981), pp. 5, 7.

426) “Whitney 50th: I Could Have Done That Better,” East Side Express (Nov 12, 1981), p. 14.

427) “I Remember Mama,” Other Stages (Nov 19, 1981), p. 3.

428) “Brief Encounters,” Other Stages (Nov 19, 1981), p. 5.

429) “Hopes of Saving Two New York Theatres,” Los Angeles Times (Nov 21, 1981), p. 14.

430) “Oscar Bronner: Dancer in the Mudd-Club of Art,” East Side Express (Dec 3, 1981), p. 4.

431) “Everyone Remembers Mama,” Chelsea-Clinton News (Dec 3, 1981), p. 14,

432) “Brief Encounters,” Other Stapes (Dec 3, 1981), pp. 4-5.

433) “In a Nutshell,” Other Stages (Dec 17, 1981), p. 4.

434) “Strange Bedfellows,” Other Stages (Dec 17, 1981), p. 7.

435) “Richard Haas: Reviving the Fine Art of False Facades,” Westsider (Dec 16, 1981), p. 15.

436) “Bowls with Holes,” East Side Express (Dec 17, 198l), pp. 12, 15.

437) “Hors D’Oeuvres of the Art World,” East Side Express (Dec 31, 1981), p. 10.

438) “Art Hors D’Oeuvres,” Westsider (Dec 31, 1981), p. 8.

439) “Ra, Ra, Ra Your Boat,” Other Stages (Feb 11, 1982), p. 7.

440) “In a Nutshell,” Other Stages (Feb 11, 1982), p. 5.

441) “Howdy-Doody Time at the Cooper-Hewitt,” East Side Express (Feb 25, 1982), p. 12.

442) “An Austrian Original,” East Side Express (Feb 25, 1982), p. 15.

443) “Poetic Justice,” Other Stages (Feb 25, 1982), p. 4.

444) “Tin Decals Offer Low Cal Look to Abandoned West-Side Buildings,” Westsider (11 Mar 1982), p. 2.

445) “Art: Picasso’s Precursors,” Chelsea-Clinton News (15 Apr 1982), p. 14; Westsider, p. 10; The East Side Express, p. 11.

446) “Odd Couples at the Met,” East Side Express (29 Apr 1982), p. 11.

447) “Now Playing at the Minskoff,” Chelsea-Clinton News (6 May 1982), p. 11,

448) “San Francisco Mime – Zapping the Moral Majority,” Other Stages (20 May 1982), p. 3.

449) “Treasure Trove,” East Side Express (27 May 1982), p. 13.

450) “Remembering Draper,” Other Stages (3 Jun 1982), p. 14.

451) “Susan Bloch: In Memoriam,” Other Stages (17 Jun 1982), p. 1.

452) “Cambodian Beauty,” East Side Express (27 Jun 1982), p. 13.

453) “The Manhattan Theatre Club: Keeping the Ship Afloat,” Other Stages (l Jul 1982), p. 3; East Side Express (8 Jul 1982), pp. 7-9.

454) “Art: Allabooord!” East Side Express, Chelsea-Clinton News (8 Jul 1982), p. 15.

455) “Rivers of Diamonds Were the Trappings of Style,” East Side Express (22 Jul 1982), p. 15; ESE Advertiser (Aug 1982), p. 4.

456) “Brushing Up on Posters,” Westsider, Chelsea-Clinton News (22 Jul 1982), p. 12.

457) “Pasta Legue Colleges,” East Side Express (29 Jul 1982), p. 8.

458) “American Indian Baskets Gain Artifact Status,” East Side Express (16 Sep 1982), p. 15.

459) “The Gravy Train Doesn’t Stop Here Anymore,” Other Stages (7 Oct 1982), p. 5.

460) “Visonary Horeau Work Exhibited at French Institute,” East Side Express (14 Oct 1982), p. 19; Chelsea-Clinton News; “Horeau Revisited,” Westsider; ESE Advertiser (Nov 1982), p. 2.

461) “No Snuggles Under These Quilts,” Westsider (21 Oct 1982), pp. 14-15; “Unsnuggly Quilts,” Chelsea-Clinton News, p. 13.

462) “Sculptor David II Evokes Oral Cornucopia, Tackles Cultural Images,” Westsider (28 Oct 1982), p. 20; Chelsea-Clinton News, p. 21; “Orally Oriented Sculpture,” East Side Express, pp. 22-23.

463) “Art: Deco Con Gusto,” East Side Express (11 Nov 1982), p. 14.

464) “Subsidizing Faust,” Other Stages (18 Nov 1982), p. 2.

465) “Double Photographic Bill,” East Side Express (18 Nov 1982), p. 12.

466) “The Search for Alexander,” Chelsea-Clinton News (25 Nov 1982), p. 16.

467) “Epic Theatre: Chronology and Posturing,” Other Stages (2 Dec 1982), p. 7.

468) “Americans, Or Last Tango in Huahuatenango,” Other Stages (2 Dec 1982), p. 8.

469) “Scream at Bellman,” East Side Express (8 Dec 1982), p. 16.

470) “A Tribute to Set Designers,” Westsider, Chelsea-Clinton News (6 Jan 1983), p. 9.

471) “Deco-rative Builder Feted,” East Side Express, Chelsea Clinton News, (13 Jan 1983), p. 22.

472) “La Belle Epoque,” East Side Express (20 Jan 1983), pp. 18-22.

473) “Modern Masters on the Block,” East Side Express (3 Feb 1983).

474) “The Return of the Rebellious Ashcan Eight,” East Side Express (10 Feb 1983), p. 14; ESE Advertizer (Feb 1983).

475) “The Theatres Are the Show,” East Side Express (17 Feb 1983), p. 10.

476) “Wright’s Little Living-Room Moved To Met,” East Side Express (24 Feb 1983), p. 9; ESE Advertiser (Mar 1983).

477) “Art: A Talented Obsession with the Holocaust,” Chelsea Clinton News; Westsider (10 Mar 1983), p. 8.

478) “Art: Cartoonist’s Pen Is Acid-Dipped,” East Side Express (17 Mar 1983), p. 11.

479) “Papal Art Treasures on Display at the Met,” East Side Express (7 Apr 1983), pp. 9, 14.

480) “Video Artist Lightens Up the Whitney,” East Side Express (14 Apr 1983), p. 14.

481) “Master Painting Investigations You Can Play,” East Side Express (21 Apr 1983), p. 9.

482) “Constable’s England, Henry’s Pals Reign in Modern Manhattan,” East Side Express (28 Apr 1983), p. 8.

483) “New Amsterdam Renovation: A Linchpin in Times Square Redevelopment,” Westsider, Chelsea-Clinton News, East Side Express (19 May 1983), p. 17.

484) “The Bolsheviks Missed a Few,” East Side Express (2 Jun 1983), p. 8.

485) “Opera Exhibit Sings at the Morgan Library,” Chelsea Clinton News (29 Sep 1983), p. 6; Westsider, p. 7.

486) “The Theatre Museum Catches Mermania,” Westsider, Chelsea-Clinton News (13 Oct 1983), p. 14.

487) “Open Studio Tour: West Side Arts Side,” Westsider (13 Oct 1983), pp. 1, 6-7.

488) “The Whitney Offers Mid-Towners Modern Art,” Westsider (20 Oct 1983), p. 18.

489) “Met Museum Offers a Manet Retrospective,” Chelsea-Clinton News (27 Oct 1983), p.

490) “Remembering Firepumpers and ‘Mose the Firehoy,’” Westsider, Chelsea-Clinton News (3 Nov 1983), p. 18.

491) “Subways To Get Cultured,” Chelsea-Clinton News (17 Nov 1983), p. 7; Westsider (24 Nov 1983).

492) “Looking Up Ladies’ Mile,” Chelsea-Clinton News (24 Nov 1983), p. 8.

493) “The Wright Before Christmas,” Chelsea-Clinton News; Westsider (24 Nov 1983), pp. 11, 13.

494) “Look for the Union Label,” Chelsea-Clinton News, Westsider (l Dec 1983), p. 17.

495) “Escape to Bucks County,” Westsider (l2 Jan 1984), p. 12; Chelsea-Clinton News (8 Dec 1983).

496) “Art: Behind the Palace,” Chelsea-Clinton News (22 Dec 1983), p. 7.

497) “Two Cheers for Cubism,” Chelsea-Clinton News (29 Dec 1983), p. 5; Westsider (5 Jan 1984), p. 9.

498) “Some Enchanging Yves,” Westsider, Chelsea-Clinton News (5 Jan 1984), p. 11.

499) “Casing the South Street Seaport,” Chelsea-Clinton News (12 Jan 1984), p. 5; Westsider (26 Feb 1984), pp. 7-8.

500) “Some Turn of the Century Plans for 1984,” Chelsea-Clinton News (26 Jan 1984), pp. 7, 9.

501) “The Dutch Offer a Masterful Metropolitan Show,” Westsider, Chelsea-Clinton News (l6 Feb 1984), p. 9; p. 15.

502) “Joyce Gets Deco Award,” Chelsea-Clinton News (l Mar 1984), pp. 6, 8.

503) “200 Years of the Open Door,” Westsider (8 Mar 1984), p. 19; “The Open Door is 200 Years Old,” Chelsea-Clinton News (22 Mar 1984), p. 6.

504) “The Apple Turns Green,” Chelsea-Clinton News (15 Mar 1984), pp. 1, 5; “Green Apple in March,” Westsider (15 Mar 1984), pp. 1, 10.

505) “A Busy Season at the Metropolitan Museum,” Chelsea-Clinton News (22 Mar 1984), p. 15; Westsider, pp. 14-15.

506) “One Penn’s Art on the Tracks,” Westsider (5 Apr 1984), p. 11.

507) “Michael Freund Tells a Tale of Two Viennas,” Westsider & Chelsea-Clinton News (12 Apr 1984), p. 10.

508) “Some Flowers, Courtesy of the Whitney Museum,” Westsider & Chelsea-Clinton News (19 Apr 1984), p. 15.

509) “A Little Girl Who Stitched Back in Time,” Westsider & Chelsea-Clinton News (26 Apr 1984), pp. 1, 8.

510) “From Vienna, Music for the Masses,” Los Angeles Times (29 Apr 1984), pp. 52, 54.

511) “Pina Bausch: Germany’s Wicked Fairy,” Los Angeles Times (27 May 1984), pp. 47-48.

512) “It’s Art Deco Week,” Chelsea-Clinton News (14 Jun 1984), p. 11.

513) “Stepping inside the Indians’ Circle,” Westsider & Chelsea-Clinton News (21 Jun 1984), p. 8.

514) “Modern Art’s New Walls & Halls,” Westsider (28 Jun 1984), p. 10.

515) “The Sum of Gris & Rivera Cubed,” Chelsea-Clinton News (5 Ju1 1984), p. 10.

516) “The Art of Birdbaths,” Westsider & Chelsea-Clinton News (12 Jul 1984), p. 7/p. 13.

517) “Play Me a Building,” Westsider (26 Jul 1984), p. 13.

518) “Private Collection Illuminates the Met,” Westsider (16 Aug 1984), pp. 15, 20; Chelsea-Clinton News, pp. 15, 20.

519) “What Hath the Elevator Wrought?” Westsider & Chelsea-Clinton News (6 Sep 1984), pp. 7, 15.

520) “Make the Journey to Firenze,” Westsider (20 Sep 1984), pp. 12, 17.

521) “No Horror Show Here,” Westsider & Chelsea-Clinton News (27 Sep 1984), p. 11 / p. 10.

522) “Van Gogh’s Arles at the Met,” Westsider & Chelsea-Clinton News (4 Oct 1984), p. 9 / p. 8.

523) “It’s Tea-Time at the Cooper-Hewitt,” Chelsea-Clinton News (18 Oct 1984), pp. 11, 14.

524) “West Side Shows It’s Arts Side,” Westsider (18 Oct 1984), p. 2.

525) “Berliner Troupe: A New Galileo,” Los Angeles Times (28 Oct 1984), p. 48.

526) “Primitive Roots Reverberate at Art Center,” Westsider (15 Nov 1984), pp. 3, 5, 7.

527) “Form and Function Merge in Asante Art,” Chelsea-Clinton News (29 Nov 1984), pp. 6, 10.

528) “Society’s Pageantry of Arms Is Uplifting,” Chelsea-Clinton News (6 Dec 1984), pp. 8, 9, 14.

529) “Eclectic Exhibitions of Art You Can Live With,” Westsider (13 Dec 1984), p. 13.

530) “Magic, Then Music, at Lincoln Center Library,” Chelsea-Clinton News (20 Dec 1984), pp. 10, 14.

531) “Allegory Meets Myth & Reality in Field,” Westsider & Chelsea-Clinton News (3 Jan 1985), p. 7.

532) “Light & Shadow,” Westsider & Chelsea-Clinton News (10 Jan 1985), pp. 7-8.

533) “Art: Treasures from Abroad Appear Nearby,” Westsider & Chelsea-Clinton News (14 Feb 1985), pp. 9-10.

534) “Fancy Flight at Museums,” Westsider & Chelsea-Clinton News (9 May 1985), pp. 11-14.

535) “Mosher: New Lightning Rod at Vivian Beaumont Theatre,” Los Angeles Times (23 Jun 1985), pp. 44. (Calendar)

536) “Art: Earthly Delights,” Daily Californian: Inside Out (30 Sep 1987), p. 1.

537) “In Warsaw, a Parade of Restored Palaces,” Newsday (l Nov 1987), p. 7 / Travel.